Artists whose designs were used on Turkish currency

We compiled the list of artists who created the designs of the coins and banknotes of Republic of Türkiye.

Most of the coins were produced by artists employed by the Mint, and most of the banknotes by the engravers of the Central Bank’s Banknote Print, yet in the early periods of the Republic, foreign experts were consulted and the works of artists participating in occasional competitions have also taken place on commemorative and circulation coins.

Artists whose designs were used on Turkish currency:

(dates in brackets indicate the year which the artist’s first design ewas released into circulation.)

Artists who were awarded degrees in competitions, but whose designs were not used on coins:

Artists whose artwork is used on currency indirectly:

*designers of some of the coins and most of the banknotes are missing from the list. It will be updated as new information surfaces.

cover photo: 2018 annual report of the Turkşsh Stete Mint

Pietro Canonica (1869 ~ 1959)

Italian sculptor Pietro Canonica is the creator of many monumental sculptures from late 1920’ies. His most famous work is the Monument of the Republic erected in 1928 in Istanbul, Taksim Square.

Another of his works; Ataturk Monument located in Izmir, appears on the 1972 50 Lira commemorative silver pieces struck in memory of the 50th anniversary of the Victory of August the 30th of 1922 (engravings of the coin are made by Avni Kumuk).

 

İsa Avni Kumuk (1934 ~ 2017)

Isa Avni Kumuk, was born in 1934 in Samsun to a family of Caucasian descent. He was involved with his family business of jevellry-making at the early age of six. He was quite interested and competent in maths during elementary school and and was even nicknamed Pisagor (Pythagoras). after his graduation from high school in 1953, he started his own workshop at the Grand Bazaar as a jevellry-maker and engraver. He was admitted to Istanbul Technical University as the 12th applicant.

He worked for the Turkish State Mint between 1964 and 1976  first as a technical personnel, later as the head of engraving workshop and technical consultant. During his service, he was appointed to examine the Spoonmaker’s Diamond to authenticate and measure its dimensions.

He designed many circulation and commemorative coins after 1970. His technique was compared to Giampaoli‘s.

50 Kurus piece released in 1971 was his handiwork. After visiting an exhibition of traditional Anatolian clothes, administrators of the mint asked him to come up with a portrait of a woman in traditional Anatolian head dress. The owner of said exhibition Sabiha Tansug was photographed in the Ankara Headpiece, but in order not to portrait any significant person, Avni Kumuk cut out her face and completed the portrait with an imaginary average Turkish woman.

 

Around 1976, the head of the State mint – also a prominent poet Cemal Süreya –  was instructed to decommission old machinery of the mint. Avni Kumuk convinced him to keep the machinery for display.

After his work at the Mint had ended, in 1982, he started his own company called International Goldart İstanbul, and produced over 700 medals, badges, pins and emblems ordered by several private companies and Turkish Numismatics Association. He received several awards by Turkish and international, private and public institutions.

Commemorative and circulation coins he designed and produced:

1970:

  • 25 Lira silver coin commemorating the 50th anniversary of the TBMM – Grand National Assembly of Turkey
  • Acmonital 2½ Lira with the obverse bearing Ataturk on a tractor; minted part of the FAO programme.

1971:

  • 50 Lira silver coin commemorating 900 years of  Battle of Manzikert
  • Bronze 10 Kr, Ataturk on a tractor; part of FAO programme,
  • Acmonital 50 Kr circulation piece with a woman wearing Anatolian headdrress.

1972:

  • silver 50 Lira commemorating 50th anniversary of the Victory of August the 30th
  • golden medals commemorating victory of Battle of Dumlupınar

1973:

  • 50 and 100 Lira silver and 500 Lira gold coins commemorating 50th anniversary of the Republic

1974:

  • 5 Lira circulation piece bearing Ataturk’s statue in Samsun

1975:

  • Aluminium 5 Kurus part of FAO programme

1976:

  • Aluminium 5 and 10 Kr and acmonital 5 Lira of the FAO series

1978:

  • FAO acmonital 50 Kurus, 1 and 2½ Lira
  • FAO acmonital 5 Lira and silver 150 Lira
  • FAO gold 500 Lira,
  • FAO gold 1.000 Lira

1979:

  • FAO  bronze and aluminium 1 Kuruş
  • FAO acmonital 50 Kuruş and 1 Lira,
  • FAO acmonital 2½ and 5, also silver 150 Lira
  • FAO gold 500 Lira,
  • FAO gold 1.000 Lira,

1980:

  • FAO bronze 10, acmonital 50 Kurus and 1 Lira,
  • FAO gold 500 Lira

Some of the medals he produced:

for the Turkish Armed Forces:

  • First and Second degree Honour Medals
  • First and Second degree Pride Medals
  • Medal of Distinguished Service
  • First and Second degree War Medals
  • Emblem of the Turkish Army (Turkish Land Forces)
  • Turkish Army commemorative medallion

for various establishments:

  • commemorative medallion for the 500th anniversary of the conquest of Constantinople / İstanbul
  • commemorative medallion for the inauguration of 15 July Martyrs Bridge (named Bosphorus Bridge when first opened)
  • commemorative medallion for the inauguration of Haliç (Golden Horn) Bridge
  • medallion commemorating Saudi King Faisal’s visit to Türkiye
  • medallion commemorating Islamic Conference in Istanbul

Avni Kumuk was also interested in painting, he was not only a skillful artist, but also a competent engineer. After the intervention to Cyprus by Turkey in 1974, he contributed to complicated parts the defence industry needed and that had to be domestically produced.

He was a member of the industrial advisory committee of ITU Mechanical Engineering Faculty. He assisted many public and private companies with their intricate designs of parts and dyes.

Father of 2 sons, Avni Kumuk worked until his last minute with the principle of giving back to the society.

 

Click here for a page dedicated to Avni Kumuk’s works.

*We would like to extend our deepest gratitude to the family of the artist, for their invaluable contribution to this article.

Etem Hamdi Tem (1895 ~1971)

Etem Hamdi Tem, served as a reserve officer during the War of Independence. As he also owned a camera (a rare commodity at the time), he also served as a war photographer. After the war, he was one of the priviliged photographers of Mustafa Kemal Atatürk.

His most famous shot is of Mustafa Kemal Atatürk at Kocatepe, on the eve of the Great Offensive. His posture was used on many sculptures, monuments and also coins.

Pietro Giampaoli (1898 ~ 1998)

Portrait of Atatürk by P. Giampaoli

Giampaoli was as a consultant to the Turkish State Mint and was the designer of the Ataturk effigy on the coins starting with the 1 Lira of 1957.

Same portrait was also used on the 10 Lira of 1960 silver commmemorative 10 Lira pieces.also on the 25.000.000 coin minted in 1998 as part of the 75th anniversary of the republic(*27, Page. 183).

He worked at the Italian Mint between 1936  and 1963. designed many Italian coins as well as medals and coins for Vatican, San Marino and Malta. He consulted Germany, France, Spain, Israel and Tunisia.

Rather recent auction pieces indicate that he also worked on 25 Kurus coins bearing Ataturk’s portrait but eventually the figure of an Anatolian woman carrying an artillery shell was used for those coins. His signature in its Latinisized form (J. Pvlvs) can be seen below the portrait.

There are auto-portraits of Giampaoli on medals(*1) where his name is Latinified. The page describes his resoning for using thistle on his self medals as “In the language of flowers and plants, the thistle symbolizes solitude and isolation and this meaning is due to the tendency of this plant to grow in inaccessible places. An ability to make one’s way through difficulties – yet “not without effort”, indeed.

His brother Celestino Giampaoli also was affiliated with the Turkish State Mint (*2) during the period which acmonital (Acciaio Monetale Italiano / Italian monetary steel) was used for Turkish coins. It is a variant of stainless steel that is harder than silver or cupronickel hence requires specific machinery for processing.

[1] https://www.cronacanumismatica.com/un-refuso-due-medaglie-e-limpresa-del-maestro-giampaoli

[2] https://www.dizionariobiograficodeifriulani.it/giampaoli-pietro-celestino-e-vittorio

Heinrich Krippel (1883 ~ 1945)

Henrich Krippel , Austrian sculptor born in Austria, Wien in 1883.

In 1925, while the new Republic of Türkiye was erecting monuments around the country, he participated in a contest for such the Monument of Victory in the new capital Ankara (#38, p. 194).  When he came to Turkey, Municipality of Istanbul comissioned the first statue of the new era; the Statue of Mustafa Kemal (Ataturk) in the Park of Sarayburnu (can be literally translated as “Cape Palace”, located by the coast, at the outkirts of the Ottoman Palace). Krippel made various monuments for the republic until 1938.

Atatürk personally posed for the statues (#38, p. 202), and also provided instructions for their themes (#39, Sf 116).

The statues were modelled and cast in his workshop in Wien, then transported to Türkiye de-mounted for final assembly on site (#37, p.51)

 

His artwork appeared on several banknotes, coins and medals.

  • The 1939, 2. emission 2½ Lira Banknote depicts his Monument of Victory in Ankara.
  • The 1951 5th emission 50 Lira banknotes depict a detail of a soldier from the same monument
  • In 1972, State mint issues commemorative medallions for the 50th anniversary of the “Great Offensive” of 30th of August 2022. the medal depicts the Monument of Great Triumph (engravings of the medal were the handiwork of Avni Kumuk).
  • The 5 Lira acmonital coins from 1974 bear an engraving of his Monument of Honour in Samsun (engraved by Avni Kumuk).

 

further reading (Turkish): https://www.yenivatan.at/atatuerkuen-heykeltirasi-viyana-dogumlu-krippelin-yok-olan-mezari-yeniden-yapilacak/