Chronology of the Republican Era Currency

Part 1

(from Declaration of the Republic until 1950)

October the 29th, 1923

The Turkish Republic was declared on the 29th of October, 1923. However, the first coins could be struck a year later.

In order not to hinder daily trade, coins and banknotes that the newly formed Republic inherited from the Ottoman Empire (*1) remained valid.

1924

The Law allowing the Republic to strike its own money was passed in February of 1924. In August, the 10 Kuruş, in September the 5 Kuruş and in October the 100 para bronze coins were put into circulation (*2). The coins inscribed with old text were designed by Ahmet Mesrur Durum (aka Mesrur Izzet Bey). Customary units were retained, 1 Lira was equal to 100 Kuruş, 1 Kuruş was equal to 40 Para.


1925

On 5th of October, 1925, the first golden coins of the Republic were produced. The 5 Lira pieces were struck ceremoniously. The very first piece take out of the press was entrusted to the Minister of Finance Abdülhalik Renda, to be delivered to the president Mustafa Kemal Atatürk(*3).

Meanwhile, the 25 Kuruş nickel coins were released into circulation. The public nicknamed them the “buffalo eye”, due to their large size.


1926

Until 1926, the Ottoman fiscal calendar was the Rumi Calendar. In the Republican era, Türkiye switched to using the Gregorian Calendar.

Then the coins of 1926 and forward had the dates inscribed in that format. However, until the alphabet reform in 1928, years were still written in Eastern Arabic numerals as (١٩٢٦)  (*4)

Ankara golds in two and a half (2½) Lira, One Lira, Half (½) and Quarter (¼) Lira coins were also introduced.


1927

Embellished Monnaies-de-Lux gold coins were introduced. They were struck in five types like the “Ankara Golds” the bullion coins of the Republic.

The first banknotes of the Republic were released on 5th of December 1927. The designs were made by Artist Ali Sami Boyar (*5) and the printing was done in London. The set of 1, 5, 10, 50, 100, 500 and 1.000 Lira are known as the “First Emission” within the Turkish financial circles.

Because the banknotes were printed before the alphabet reform, the texts are in Ottoman Turkish Arabic, and the value of the notes are also indicated in French; retaining the customs from the Ottoman Bank notes.

Due to the fact that banknotes were convertible to the gold standard, large denominations like 500 or 1.000 Lira had a great purchasing power. That is why it was unlikely that they were kept for collection purposes. Only few have remained to date.


1931

Part of the reforms of the Republic, a modified version of the Latin letters was accepted as the official alphabet in 1928. In 1931, drafts for the banknotes in new letters were made. There are few specimens of 50 and 1.000 Lira notes that survived to day, however they were not mass printed for circulation (*36).


1934

Türkiye was also affected by the Great Depression of 1929,  hence releasing any currency in the new alphabet was not possible until 1934.

The first coin with the new letters was 100 Kuruş of 1934. For its design, a contest was organised. The winning coin design bore an effigy of Mustafa Kemal Atatürk above branches of olive on the obverse, and a Crescent with star encircled with ears of wheat and oak branches. The design was the artwork of Artist Ali Cemal.

The word Cumhuriyet (Republic) was written with an “ü” letter as the exact orthography was not yet settled. Previous Arabic text lacked all the vowels Turkish language uses, hence transition to the new Turkish alphabet created such discrepancies for some time (*8).


1935

A new set of coins consisting of 1, 5, 10, 25 ve 50 Kuruş coins was introduced. The designs were the work of Percy Metcalfe.

Inherently valuable silver pieces bore the effigy of Mustafa Kemal Atatürk, facing left on the obverse and a single ear of wheat with the denomination on their reverse sides.

The less valuable cupronickel pieces had crescent and star in a pre-standardized form on their obverse, and oak branches for 10 Kr piece, olive branches on the 5 and 1 Kr pieces reverse sides. The designs were of the typical art deco style of Metcalfe.


 

1937

100 Kuruş was withdrawn, and silver coins denominated at 1 Lira value were introduced. Atatürk’s effigy remained as on the 50 and 25 Kr pieces, but the reverse had crescent and star with two ears of wheat. Examples of this coin dated 1935 exist but are very rare (*42 p.50).

First note of the 2nd emission; 5 Lira was released.


1938

Monnaies-de-Lux gold coins bearing Ataturk’s effigy were minted. Their design used the floral frame from V. Mehmed Resad’s 500 Kurus gold coin; the Ottoman Coat of Arms being replaced by an effigy of Ataturk within a ring of 32 stars, the reverse bearing a calligraphic inscription that reads Türkiye Cümhuriyeti (Turkish Republic).

1 Kurus coins were redesigned in undulated form because they were being confused with the silver 25 Kuruş pieces of same diameter. Examples of this coin dated 1938 with 10 bulges exist but are very rare (*42 p.31).

10, 50 and 100 Lira banknotes bearing texts in the new Latin letters were released as part of the 2. Emission.


1939

Two and a half (2½), 500 and 1.000 Lira banknotes were released continuing the 2. emission.


1940

Silver 1 Lira coins bearing the portrait of the second president İsmet İnönü, and bronze 10 Para (quarter of a Kurus) coins were introduced into circulation.

500 and 1000 Lira banknotes bearing President Inonu were also released.


1941

The ship carrying the 50 Kr and 100 Lira banknotes printed in UK, was bombed by the German planes at Port of Piraeus, Greece. The banknotes were scattered and collected by the locals, hence were declared void and were never released into circulation (*14, *36).


1942

1 Lira banknotes bearing İnönü’s portrait were released as part of 2nd Emission.

10, 50 and 100 Lira banknotes with İsmet İnönü’s image, were released into circulation. They were part of part of the 3. Emission.

Türkiye was following a neutrality policy and until a couple of months before the end of the war, retained relations both with the Allied and the Axis Powers. As the Turkish Republic did not have its own banknote printing house, banknotes for circulation were produced partly at the British and partly at the German printing houses. Sometime after the initial order of the 100 Lira banknotes printed in Germany, some unapproved series were seen in circulation (*36). Afterwards, the German printing houses were not used and following banknotes were printed by printers in USA.


1943

Monnaies-de-Lux gold coins bearing the portrait of İnönü were minted.


1944

Republican bullion gold coins with the new alphabet were minted in two types; half bearing Atatürk’s half İnönü’s effigy.

25 Kurus small change was no more struck in silver, but in cupronickel instead. This effectively meant a demotion of its status, hence the obverse could not bear Atatürk’s effigy and it was replaced by the crescent and star in the, by then, standardized form. These coins are of an alloy of zinc and bronze and produced by melting surplus artillery shell casings (*Ulus newspaper article by Ziya Tansu dated 14th of March 1948 and *42 p.46)

The word Cumhuriyet (Republic) was also amended into the settled syntax; with both u letters without any umlaut dots (*8).

50 Kr banknotes printed in Germany, part of the 2. emission group were introduced.


1946

500 and 1000 Lira banknotes were released.


1947

Silver 1 Lira and 50 Kurush coins with the obverse bearing crescent and star, and also bronze 1 Kurus coins were released into circulation. These coins were designed by Prof. Emin Barın; a prominent calligrapher of the time. Coins of the lowest denomination were struck with holes in them. All the coins since 1924 were being struck in medallion orientation, the new ones were switched into coin orientation.

3rd emission two and a half (2½) Lira, 50 Lira in the 2nd layout and 4th emission 10 and 100 Lira banknotes were released.


1948

In 1944, 25 Kuruş pieces were struck in bronze and their obverse was matched to those of 1 Lira and 50 Kr coins already in circulation.

Two and a half (2½) Kurush (previously denominated at 100 Para) were minted in bronze with holes.

Half (½) Kuruş pieces were also designed and minted, completing the set of small change with the 1 and 2½ Kurus coins. However, they were not released into circulation. Some were included in the 1949 State Mint Sets and some were kept by the mint workers. It is estimated that there are circa 300 pieces in total (*25), hence they are among the rarest and most valuable coins of the Turkish Republic.

10 Lira 4. emission 2nd type were released.


1949

10 and 5 Kuruş coins bearing the crescent and a star on their obverse were released. The circulation coins set of 1 Lira, 50, 25, 10 and 5 Kuruş gained a layout consistency.


… more to follow

Hakkı Baha Çavuşgil (1924 ~ 2006)

Hakkı Baha Çavuşgil, started working for the Turkish State Mint in 1979 and created dozens of circulation and commemorative coins until his death.

He graduated from Fine Arts Academy and created many sculptures, focusing on abstract figures.

His brief cv from the State Mint Website:

He was born on 15th of May, 1924 in Harput, Elazig. completed his primary and middle education in Canakkale, his high school in the capital; Financial Trade School of Ankara.

Enrolled to Academy of Fine Arts (Mimar Sinan Fine Arts University today). Received lessons from Rudolf Belling and Zuhtu Muritoglu workshops, graduated sculpture programme in 1955. Also graduated Decoration and Ornamentation Arts Ceramics programme in 1957.

Studied in Italy under Italian Gov’t scholarship at Rome Istituto Centrale Del Restauro for five years.

Graduated Rome Medallion Arts School with honours (1962)

Staged dozens of exhibitions domestically and abroad, received several awards.

His creations while working for the State Mint:

  • 1981 Centennary of Ataturk’s birth; Half (½) and whole 1 Lira silver and gold coins (*1)
  • 1981 FAO World Food Day; 16th of October 20 Lira aluminium and 1.500 Lira silver coins
  • 1982 Hicretin 15. Yüzyılı
  • 1982 FAO 16 Ekim Dünya Besin Günü gümüş 1.500 Lira
  • 1982 Dünya İzciliğinin 75. Yılı
  • 1983 Anadolu Medeniyetleri Sergisi 500 Lira küpronikel ve 50.000 Lira altın
  • 1983 Cumhuriyet’in 60. Yılı (İnsan figürlerinin taşıdığı Ay Yıldız desenli yazı tarafı, *2)
  • 1984 Kış Olimpiyatları – Sarajevo, Bosna Hersek
  • 1984 Yaz Olimpiyatları – Los Angeles, ABD
  • 1985 Turgut Reis 500. doğum yılı gümüş 5.000 Lira ve altın 50.000 Lira
  • 1986 Dünya Futbol Şampiyonası – Meksika (kaktüs figürlü gümüş ve altın, ayrıca futbolcu figürlü gümüş, toplam 3 hatıra para)
  • 1986 Mehmet Akif Ersoy 50. Ölüm Yılı
  • 1987 Ormancılığımızın 130 Yılı, “Yeşili Yaşat, Ormanı Koru” sloganlı biri gümüş, biri altın iki hatıra para
  •  1988 Kış Olimpiyatları – Calgary, Kanada
  • 1988 Yaz Olimpiyatları – Seul, Güney Kore
  • 1988 Mavi Haliç, Büyük İstanbul Çevre Koruma Projesi, altın ve gümüş iki hatıra para
  • 1989 İstanbul Metrosu
  • 1989 Mimar Sinan 400. Anma Yılı (1.000 Liralık küpro-nikel, 20.000 Liralık gümüş ve 200.000 Liralık altın)
  • 1990 Çanakkale Zaferi 75. Yıl gümüş ve altın iki hatıra para
  • 1990 Parlamenter Demokraside 70. Yıl gümüş ve altın iki hatıra para
  • 1990 Dünya Futbol Şampiyonası – İtalya (Romus & Romülüs’ü emziren kurt figürlü ve top süren bir futbolcu desenli iki gümüş para)
  • 1991 Mozart 200. Ölüm Yılı – Saraydan Kız Kaçırma Operası – Topkapı Sarayı
  • 1992 500 Years of Peace and Harmony – Turkish Jews (Sefarad Yahudileri Göçü’nün 500. Yıldönümü, küpronikel, gümüş ve altın)
  • 1992 Cioacchino Rossini 200. Doğum Yılı
  • 1992 Muhsin Ertuğrul 100. Doğum Yılı
  • 1993 Türkiye Kızılay Derneği 125. Yıl (gümüş ve altın iki hatıra para)
  • 1993 Cumhuriyet’in 70. Yılı
  • 1993 Pyotr İliç Çaykovskiy 100. Ölüm Yılı
  • 1994 GAP – Güneydoğu Anadolu Projesi
  • 1995 25.000 Lira tedavül
  • 1995 25.000 Lira “Dünya Hoşgörü Yılı”
  • 1995 Piri Reis (Gemiler ve Kaşifler Serisi No: 1) (gümüş ve altın iki hatıra para)
  • 1995 FAO 50. Yıl
  • 1996 Yaz Olimpiyatları – Atlanta, ABD
  • 1996 Nasreddin Hoca – UNESCO Dünya Kahkaha Yılı (*3)
  • 1996 Gümrük Birliği – Customs Union
  • 1996 ECU
  • 1997 Piri Reis (Gemiler ve Kaşifler Serisi No: 2) (1995’teki desen ile aynı ancak daha ufak bir altın para)
  • 1997 Çin Seddi ve Toprak Asker Ordusu (İpek Yolu Serisi No: 1)
  • 1997 Mehmet Akif Ersoy 60. Ölüm Yılı
  • 1997 Hezarfen Ahmet Çelebi – 1st World Air Games (Dünya Hava Oyunları,750.000 ve 1.500.000 Liralık iki gümüş *3)
  • 1997 Barbaros Hayreddin Paşa Kaptan-ı Derya (Gemiler ve Kaşifler Serisi No: 3)
  • 1997 Lidya Krallığı Kroisos
  • 1997 Myra’lı Aziz Noel Baba € EURO
  • 1998 Dünya Futbol Şampiyonası – Fransa
  • 1998 Cumhuriyet’in 75. Yılı – Cumhuriyet ve Devrimler (Çağdaş Giyim Kuşam, Şapka Devrimi)
  • 1998 Yaz Olimpiyatları 2000 – Halter
  • 1999 Dünyada İlk Para Lidya (altın para 1997 tarihlidir)
  • 1999 Uygur Bölgesi (İpek Yolu Serisi No: 2)
  • 1999 Osmanlı İmparatorluğu’nun Kuruluşunun 700. yılı – Osman Gazi
  • 2000 Bill Clinton’un Ziyareti (gümüş ve bimetal)
  • 2001 Darphane’nin Kuruluşu 1467 Madalyonu
  • 2001 Türkiye’nin Kuşları – Saz Horozu (Porphyrio Porphyrio)
  • 2001 Türkiye’nin Kuşları – Yeşil Arıkuşu (Merops Superciliosus)
  • 2002 Türkiye’nin Çiçekleri – Benekli Yılanyastığı (Arum Maculatum)
  • 2002 Türkiye’nin Çiçekleri – Safran (Crocus Sativus)
  • 2002 Türkiye’nin Çiçekleri – Domuztopalağı (Cyclamen Trochopteranthum)
  • 2002 Yunus Emre “Adımız miskindir bizim, Düşmanımız kindir bizim”
  • 2003 Olimpic Games 2000 – Güreş (altın para 2000 tarihlidir)
  • 2004 İsmet İnönü (Binyılın Türkleri Serisi)
  • 2004 Kanuni Sultan Süleyman (Binyılın Türkleri Serisi)
  • 2005 Çöl Varanı (Türkiye’nin Hayvanları)
  • 2008 İpek Yolu – Kırgızistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2008 İpek Yolu – Özbekistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2012 İpek Yolu – Türkmenistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2013 İpek Yolu – İran (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2014 İpek Yolu – Kayseri (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)

Medallions:

  • 1988 Türk Nümismatik Derneği “İsmail Galip Bey” Madalyonu
  • 1999 Türk Nümismatik Derneği “Cüneyt Ölçer” Madalyonu
  • 2001 Darphane’nin Kuruluşu 1467 Madalyonu

[1] Paraların deseni Etem Çalışkan‘a, rölyef ve kalıp uygulaması Hakkı Baha Çavuşgil’e aittir (*27, Sf. 51).

[2] Paranın Atatürk portreli tura tarafı Suat Özyönüm eseridir (*27, Sf. 68).

[3] Paraların deseni Turhan Selçuka, rölyef ve kalıp uygulaması Hakkı Baha Çavuşgil’e aittir (*27, Sf. 153 & 165).

[4] Paraların tura yüzü Tekin Gülbasar‘a aittir.

ilave okuma: https://www.idildergisi.com/makale/pdf/1548617739.pdf

Hakkı Erkartal

The artist was born in 1945, started working for the Turkish State Mint in 1959. Transferred to the engraving workshop in 1978 and produced two commemorative coin models (*27, Sf. 192).

Coins by Hakkı Erkartal;

  • 1978 Mevlana Celaleddin Rumi, 705. anniversary; gold and silver pieces
  • 1978 World Football Championship Argentina silver commemorative

İsa Avni Kumuk (1934 ~ 2017)

Isa Avni Kumuk, was born in 1934 in Samsun to a family of Caucasian descent. He was involved with his family business of jevellry-making at the early age of six. He was quite interested and competent in maths during elementary school and and was even nicknamed Pisagor (Pythagoras). after his graduation from high school in 1953, he started his own workshop at the Grand Bazaar as a jevellry-maker and engraver. He was admitted to Istanbul Technical University as the 12th applicant.

He worked for the Turkish State Mint between 1964 and 1976  first as a technical personnel, later as the head of engraving workshop and technical consultant. During his service, he was appointed to examine the Spoonmaker’s Diamond to authenticate and measure its dimensions.

He designed many circulation and commemorative coins after 1970. His technique was compared to Giampaoli‘s.

50 Kurus piece released in 1971 was his handiwork. After visiting an exhibition of traditional Anatolian clothes, administrators of the mint asked him to come up with a portrait of a woman in traditional Anatolian head dress. The owner of said exhibition Sabiha Tansug was photographed in the Ankara Headpiece, but in order not to portrait any significant person, Avni Kumuk cut out her face and completed the portrait with an imaginary average Turkish woman.

 

Around 1976, the head of the State mint – also a prominent poet Cemal Süreya –  was instructed to decommission old machinery of the mint. Avni Kumuk convinced him to keep the machinery for display.

After his work at the Mint had ended, in 1982, he started his own company called International Goldart İstanbul, and produced over 700 medals, badges, pins and emblems ordered by several private companies and Turkish Numismatics Association. He received several awards by Turkish and international, private and public institutions.

Commemorative and circulation coins he designed and produced:

1970:

  • 25 Lira silver coin commemorating the 50th anniversary of the TBMM – Grand National Assembly of Turkey
  • Acmonital 2½ Lira with the obverse bearing Ataturk on a tractor; minted part of the FAO programme.

1971:

  • 50 Lira silver coin commemorating 900 years of  Battle of Manzikert
  • Bronze 10 Kr, Ataturk on a tractor; part of FAO programme,
  • Acmonital 50 Kr circulation piece with a woman wearing Anatolian headdrress.

1972:

  • silver 50 Lira commemorating 50th anniversary of the Victory of August the 30th
  • golden medals commemorating victory of Battle of Dumlupınar

1973:

  • 50 and 100 Lira silver and 500 Lira gold coins commemorating 50th anniversary of the Republic

1974:

  • 5 Lira circulation piece bearing Ataturk’s statue in Samsun

1975:

  • Aluminium 5 Kurus part of FAO programme

1976:

  • Aluminium 5 and 10 Kr and acmonital 5 Lira of the FAO series

1978:

  • FAO acmonital 50 Kurus, 1 and 2½ Lira
  • FAO acmonital 5 Lira and silver 150 Lira
  • FAO gold 500 Lira,
  • FAO gold 1.000 Lira

1979:

  • FAO  bronze and aluminium 1 Kuruş
  • FAO acmonital 50 Kuruş and 1 Lira,
  • FAO acmonital 2½ and 5, also silver 150 Lira
  • FAO gold 500 Lira,
  • FAO gold 1.000 Lira,

1980:

  • FAO bronze 10, acmonital 50 Kurus and 1 Lira,
  • FAO gold 500 Lira

Some of the medals he produced:

for the Turkish Armed Forces:

  • First and Second degree Honour Medals
  • First and Second degree Pride Medals
  • Medal of Distinguished Service
  • First and Second degree War Medals
  • Emblem of the Turkish Army (Turkish Land Forces)
  • Turkish Army commemorative medallion

for various establishments:

  • commemorative medallion for the 500th anniversary of the conquest of Constantinople / İstanbul
  • commemorative medallion for the inauguration of 15 July Martyrs Bridge (named Bosphorus Bridge when first opened)
  • commemorative medallion for the inauguration of Haliç (Golden Horn) Bridge
  • medallion commemorating Saudi King Faisal’s visit to Türkiye
  • medallion commemorating Islamic Conference in Istanbul

Avni Kumuk was also interested in painting, he was not only a skillful artist, but also a competent engineer. After the intervention to Cyprus by Turkey in 1974, he contributed to complicated parts the defence industry needed and that had to be domestically produced.

He was a member of the industrial advisory committee of ITU Mechanical Engineering Faculty. He assisted many public and private companies with their intricate designs of parts and dyes.

Father of 2 sons, Avni Kumuk worked until his last minute with the principle of giving back to the society.

 

Click here for a page dedicated to Avni Kumuk’s works.

*We would like to extend our deepest gratitude to the family of the artist, for their invaluable contribution to this article.

Etem Hamdi Tem (1895 ~1971)

Etem Hamdi Tem, served as a reserve officer during the War of Independence. As he also owned a camera (a rare commodity at the time), he also served as a war photographer. After the war, he was one of the priviliged photographers of Mustafa Kemal Atatürk.

His most famous shot is of Mustafa Kemal Atatürk at Kocatepe, on the eve of the Great Offensive. His posture was used on many sculptures, monuments and also coins.

Percy Metcalfe (1895 ~ 1970)

Percy Metcalfe
Percy Metcalfe, CVO, RDI,
Photo by Bassano Ltd  © National Portrait Gallery, London

His name is first mentioned in Turkish numismatics literature as Sculptor of the London Mint; Mr. Medkaley in the 1955 Catalogue by Turkish numismatist and actor Behzad Butak.

Behzat Butak quotes “Mister Medkaley” from a proceedings report of GNAT (Grand National Assembly of Türkiye) from 1944.

(While the forms of the new Republican gold coins were being discussed, Finance Minister Fuat Ağralı elaborates that Metcalfe was invited for the effigy of Mustafa Kemal Atatürk and that he also made an effigy of İsmet İnönü. Upon criticism on why a foreigner was tasked to create the president’s effigy, Metcalfe’s skillset as a coin engraver is emphasized) His name is misspelled most probably due to a transliteration error.

Royal Mint’s involvement with the Turkish coins, dates back to 1933. In September of that year, Deputy Master and Controller of the Royal Mint, Sir Robert Johnson visited Istanbul and the capital Ankara. He had learned that the Turkish Gov’t was planning of minting new coins with the new alphabet, hence he offered Royal Mint’s services to the Turkish Government. But was not successful in securing an order for minting the new coins. However, the relations between the two mints remained active and Percy Metcalfe visited Turkey in 1935 (*Royal Mint Annual Report of 1934, Page 17).

He was meant to produce an effigy of Mustafa Kemal Atatürk, however he was requested to work on designs for the whole set of six coins.

Turkish circulation coins that bear Metcalfe’s designs:

  • 50 Kuruş 1935 ~1937
  • 25 Kuruş 1935 ~1946 (The 25 Kr pieces minted between 1944 to 1946 retained the same reverse as Metcalfe designed, however their obverse was changed to a crescent and star)
  • 10 Kuruş 1935 ~1940
  • 5 Kuruş 1935 ~1943
  • 1 Kuruş 1935 ~1944 (after 1938, these coins were converted into an undulated form)
  • 1 Lira 1937 ~ 1939
  • 1 Lira 1940 ~ 1941

Metcalfe’s family donated some of his work to the British Museum. Among those, there are the early drafts of the 1935 coins’ designs:

https://www.britishmuseum.org/collection/term/AUTH232341

1935 10, 5 ve 1 Kuruş Tura yüzü deseni.© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746593 © The Trustees of the British Museum
100 Kuruş 1935 taslak Deseni© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746587 © The Trustees of the British Museum
100 Kuruş 1935 taslak© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746592 © The Trustees of the British Museum
1 Lira 1935 Taslak deseni© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746588 © The Trustees of the British Museum
50 Kuruş 1935 taslak deseni© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746581 © The Trustees of the British Museum
25 Kuruş 1935 taslak deseni© The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746589 © The Trustees of the British Museum
5 Kuruş 1935 desen taslağı, © The Trustees of the British Museum
https://www.britishmuseum.org/collection/image/1613746590 © The Trustees of the British Museum

The newspapers of the period, indicate that several coin designs were considered at the time. 50 Kr piece was initially a variant of the 1934 100 Kr piece by Ali Cemal Bey. However, eventually Metcalfe’s designs were used; probably for consistency within the set.

 


RMAC papers of the Royal Mint have a record of a 1 Lira model depicting a stylized art-deco wolf from 1935. Around that time, the denomination of 100 Kurus was being changed as 1 Lira.

The models of the said design are kept by the Royal Mint Museum archives. Records show that it was criticised in-house (RMAC Papers dated 31/10/1935) and was minted only in a couple of samples for the evaluation.

Grey Wolf was indeed a Turkish symbol and was used on some of the first banknotes. It was even considered to be a main figure as an emblem for the Turkish Republic. However, Atatürk rejected that idea, hence such coins were never minted.


Royal Mint Annual Report of 1938 also mentions (*page 16) that Metcalfe won a contest for the new gold coins’ design but Sir Johnson states that he believes after Ataturk’s death those coins would probably not be minted.

Yet, Royal Mint Museum holds models of the effigy of İsmet İnönü (second president of the Turkish Republic), and the gold and silver coins minted after 1940 bear that effigy by Metcalfe.


 

Form comparison between 1938 second type 1 Kr and Egyptian 5 Milliemmes

1 Kurus pieces minted between 1938 and 1944, were in an undulated form so that they wouldn’t be confused with the silver 25 Kr pieces of the same diameter. Said coins resemble the coins of Iraq and Egypt, which were made by Metcalfe. This could be interpreted as the cooperation between the British and the Turkish Mints was still active at the time.


 

 

 

 

 

 

 

 

 

 

 

Percy Metcalfe, served in the Royal Mint from 1924 to 1948. Effigies of King George VI and many other nations’ rulers were his handywork. among his most famous were the Barnyard Set made for Free Irish State.

As a new dominion, Free Irish State considered having its own currency. For this purpose, an international competition was held in 1926. among 66 submissions, Metcalfe’s designs were selected. The animals, which some are related to hunting and some to farming, were assigned face value based on their status; the horse being the noblest and the woodcock being the humblest.

At first there was significant criticism that a nation seeking independence from the English rule is now going forward with coins “designed by an Englishman, denominated in the English way, and made at the English mint“. However, as Nobel laureate Yeats puts it “the coins have been designed to please those who look longer at each coin than anybody else; artists and children”, hence they were universally admired.

 

Coin set of Free Irish State; woodcock (farthing), pig and piglets (halfpenny), hen and chicks (penny), hare (threepence), wolfhound (sixpence), bull (shilling), salmon (florin) and horse (half crown). Collectively known as the Barnyard Collection

During his time at the Royal Mint, with the reputation he gained from the Free Irish State coinage and the support from Sir Robert Johnson, Percy Metcalfe produced many models for various countries. Some of these are; Mihai the 1st of Romania, Boris the 3rd of Bulgaria, Faisal and Ghazi of Iraq, Fuad and Farouq of Egypt, Demeter and Poseidon portraits on the Greek coins of 1930.

 

Article main photo; Percy Metcalfe working on plaster model of Boris the 3rd of Bulgaria Photo: HenryMooreInstitute

*We would like to thank World of Coins forum users <k>, africancoins and forum admin Peter Kraneveld for providing the fundamental lead on Percy Metcalfe’s contributions to the Turkish coins and also David Mason, Public Engagement & Information Officer and other staff of the Royal Mint Museum who provided invaluable information on Metcalfe’s work within their archives.

Ahmet Mesrur Durum (1873 ~ 1952)

Designer of the last coins of the Ottoman Empire and also the first coin series of the Turkish Republic minted between 1924 – 1928.

Also known as Mesrur İzzet Bey, he has been serving the Istanbul Mint since 1905 and is also the designer of the Turkish Medal of Independance.

Has studied sculpture in Fine Arts School (later called “Istanbul Fine Arts Academy, today named Mimar Sinan Fine Arts University).

He has worked on several fields such as sculpture, paintings, philately and numismatics, and has designed a significant amount of medals for various establishments.

The Republican Era coins he has designed are:

  • 100 Para 1924 ~1928
  • 5 Kuruş 1924 ~1928
  • 10 Kuruş 1924 ~1928
  • 25 Kuruş (nikel) 1925 ~1928
  • 25 Kuruş (1/4 Altın Lira, Meskuk) 1926 ~1929
  • 25 Kuruş (1/4 Altın Lira, Ziynet) 1927 ~1928
  • 50 Kuruş (1/2 Altın Lira, Meskuk) 1926 ~1929
  • 50 Kuruş (1/2 Altın Lira, Ziynet) 1927 ~1928
  • 1 Lira (Ankara Gold Bullion) 1926 ~1929
  • 1 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 2,5 Lira (Ankara Gold Bullion) 1926 ~1929
  • 2,5 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 5 Lira (Ankara Gold Bullion) 1925 ~1929
  • 5 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 10 Para 1936 (This smallest denomination coin was exempt from the contests of 1934, first drafts were announced in 1934. Newspapers and the magazines published photo of the models but it was introduced into circulation firstly in 1940.
  • 2005 Yılı 50 Yeni Kuruş (New Kurus) obverse bearing Atatürk facing right is also based on a reused model from his works of 1933.

His life and works are published in detail in a two volume book by Celil Ender & Orhan Okay (2003 & 2004 Turkish Numismatics Society Publications)