Born in 1950, the artist studied thatre in the Conservatory of Istanbul. Performed within Chamber Theater of Bursa, Community Centre Stage, Communal Education Theatre and Net Theater. COSKUN also opened art exhibitions in 1967 and 1970. He started working for the Turkish State Mint in 1979.
He designed the FAO commemorative coins of 1980 which bear fishermen pulling their net, superimposed over a Turbot fish. The motto on the 5 Kurus, two and a half liras and 5 Lira coins of this series reads “Kalkınma için Balıkçılık” Fishing for development. The signature of the artist can be seen in the tail of the turbot as “T. S. Coşkun”.
In 1980 when the artist moved to France, Paris Mint comissioned a medal with theme of Istanbul. His handiwork was awarded with a 4.000 Francs reward.
He then studied direct metal forming techniques and created solid bronze sculptures. He also applied his technique for producing medal moulds.
Some examples of his artwork:
The artist creates sculptures and drawings in Paris since 1980. During winter, he works on his drawings and patterns and in the summer period he makes sculptures outside Paris.
He gained fame as COSKUN and his sculptures carved out of wood brighten various pars around Paris.
Isa Avni Kumuk, was born in 1934 in Samsun to a family of Caucasian descent. He was involved with his family business of jevellry-making at the early age of six. He was quite interested and competent in maths during elementary school and and was even nicknamed Pisagor (Pythagoras). after his graduation from high school in 1953, he started his own workshop at the Grand Bazaar as a jevellry-maker and engraver. He was admitted to Istanbul Technical University as the 12th applicant.
He worked for the Turkish State Mint between 1964 and 1976 first as a technical personnel, later as the head of engraving workshop and technical consultant. During his service, he was appointed to examine the Spoonmaker’s Diamond to authenticate and measure its dimensions.
He designed many circulation and commemorative coins after 1970. His technique was compared to Giampaoli‘s.
50 Kurus piece released in 1971 was his handiwork. After visiting an exhibition of traditional Anatolian clothes, administrators of the mint asked him to come up with a portrait of a woman in traditional Anatolian head dress. The owner of said exhibition Sabiha Tansug was photographed in the Ankara Headpiece, but in order not to portrait any significant person, Avni Kumuk cut out her face and completed the portrait with an imaginary average Turkish woman.
Around 1976, the head of the State mint – also a prominent poet Cemal Süreya – was instructed to decommission old machinery of the mint. Avni Kumuk convinced him to keep the machinery for display.
After his work at the Mint had ended, in 1982, he started his own company called International Goldart İstanbul, and produced over 700 medals, badges, pins and emblems ordered by several private companies and Turkish Numismatics Association. He received several awards by Turkish and international, private and public institutions.
Commemorative and circulation coins he designed and produced:
1970:
25 Lira silver coin commemorating the 50th anniversary of the TBMM – Grand National Assembly of Turkey
Acmonital 2½ Lira with the obverse bearing Ataturk on a tractor; minted part of the FAO programme.
1971:
50 Lira silver coin commemorating 900 years of Battle of Manzikert
Bronze 10 Kr, Ataturk on a tractor; part of FAO programme,
Acmonital 50 Kr circulation piece with a woman wearing Anatolian headdrress.
1972:
silver 50 Lira commemorating 50th anniversary of the Victory of August the 30th
golden medals commemorating victory of Battle of Dumlupınar
1973:
50 and 100 Lira silver and 500 Lira gold coins commemorating 50th anniversary of the Republic
1974:
5 Lira circulation piece bearing Ataturk’s statue in Samsun
1975:
Aluminium 5 Kurus part of FAO programme
1976:
Aluminium 5 and 10 Kr and acmonital 5 Lira of the FAO series
1978:
FAO acmonital 50 Kurus, 1 and 2½ Lira
FAO acmonital 5 Lira and silver 150 Lira
FAO gold 500 Lira,
FAO gold 1.000 Lira
1979:
FAO bronze and aluminium 1 Kuruş
FAO acmonital 50 Kuruş and 1 Lira,
FAO acmonital 2½ and 5, also silver 150 Lira
FAO gold 500 Lira,
FAO gold 1.000 Lira,
1980:
FAO bronze 10, acmonital 50 Kurus and 1 Lira,
FAO gold 500 Lira
Some of the medals he produced:
for the Turkish Armed Forces:
First and Second degree Honour Medals
First and Second degree Pride Medals
Medal of Distinguished Service
First and Second degree War Medals
Emblem of the Turkish Army (Turkish Land Forces)
Turkish Army commemorative medallion
for various establishments:
commemorative medallion for the 500th anniversary of the conquest of Constantinople / İstanbul
commemorative medallion for the inauguration of 15 July Martyrs Bridge (named Bosphorus Bridge when first opened)
commemorative medallion for the inauguration of Haliç (Golden Horn) Bridge
medallion commemorating Saudi King Faisal’s visit to Türkiye
medallion commemorating Islamic Conference in Istanbul
Avni Kumuk was also interested in painting, he was not only a skillful artist, but also a competent engineer. After the intervention to Cyprus by Turkey in 1974, he contributed to complicated parts the defence industry needed and that had to be domestically produced.
He was a member of the industrial advisory committee of ITU Mechanical Engineering Faculty. He assisted many public and private companies with their intricate designs of parts and dyes.
Father of 2 sons, Avni Kumuk worked until his last minute with the principle of giving back to the society.
Giampaoli was as a consultant to the Turkish State Mint and was the designer of the Ataturk effigy on the coins starting with the 1 Lira of 1957.
Same portrait was also used on the 10 Lira of 1960 silver commmemorative 10 Lira pieces.also on the 25.000.000 coin minted in 1998 as part of the 75th anniversary of the republic(*27, Page. 183).
He worked at the Italian Mint between 1936 and 1963. designed many Italian coins as well as medals and coins for Vatican, San Marino and Malta. He consulted Germany, France, Spain, Israel and Tunisia.
Rather recent auction pieces indicate that he also worked on 25 Kurus coins bearing Ataturk’s portrait but eventually the figure of an Anatolian woman carrying an artillery shell was used for those coins. His signature in its Latinisized form (J. Pvlvs) can be seen below the portrait.
There are auto-portraits of Giampaoli on medals(*1) where his name is Latinified. The page describes his resoning for using thistle on his self medals as “In the language of flowers and plants, the thistle symbolizes solitude and isolation and this meaning is due to the tendency of this plant to grow in inaccessible places. An ability to make one’s way through difficulties – yet “not without effort”, indeed.”
His brother Celestino Giampaoli also was affiliated with the Turkish State Mint (*2) during the period which acmonital (Acciaio Monetale Italiano / Italian monetary steel) was used for Turkish coins. It is a variant of stainless steel that is harder than silver or cupronickel hence requires specific machinery for processing.
Designer of the last coins of the Ottoman Empire and also the first coin series of the Turkish Republic minted between 1924 – 1928.
Also known as Mesrur İzzet Bey, he has been serving the Istanbul Mint since 1905 and is also the designer of the Turkish Medal of Independance.
Has studied sculpture in Fine Arts School (later called “Istanbul Fine Arts Academy, today named Mimar Sinan Fine Arts University).
He has worked on several fields such as sculpture, paintings, philately and numismatics, and has designed a significant amount of medals for various establishments.
10 Para 1936 (This smallest denomination coin was exempt from the contests of 1934, first drafts were announced in 1934. Newspapers and the magazines published photo of the models but it was introduced into circulation firstly in 1940.
2005 Yılı 50 Yeni Kuruş (New Kurus) obverse bearing Atatürk facing right is also based on a reused model from his works of 1933.
His life and works are published in detail in a two volume book by Celil Ender & Orhan Okay (2003 & 2004 Turkish Numismatics Society Publications)
The faces of a coin are called “tura” (for heads) and “yazı” (for tails) in Turkish. Tura is derived from the tughra, Sultan’s seal/monogram found on Ottoman period coins and is used (mainly) for the side with the portrait of the ruler on modern coins. Tughra first used on coins struck in the name of Emir Suleyman, and appeared on coins until the end of the Ottoman Empire. “Yazı” means writing / inscription as to refer to the side with the value and other inscriptions.
Heads (or obverse) and tails (or reverse) sides of a coin can be positioned to align with each other either when rotated by the vertical or by the horizontal axis.
When the coin is hold upright on one side, and then rotated by the vertical axis; if the other side is still upright; this orientation is called medal alignment. as it resembles a pendant /medal. Medal alignment is represented by two upwards arrows (↑↑).
When one side is upright and the coin is rotated around its horizontal axis so to have the other side upright, it is in coin alignment. If rotated around the vertical axis, one of the faces of coins struck in coin alignment become upside down; hence, the symbol for coin orientation is two arros one upwards one downward (↑↓) ile belirtilir.
Turkish Republican circulation coins were initially struck in medal orientation. In 1947, they were switched to coin alignment.
Commemoratives were mainly struck in medal orientation.
In 2001 State Mint started minting circulation coinsagain in medal orientation.
Euro coins and many European coins are struck in medal orientation while the US coins have coin alignment.