We compiled the list of artists who created the designs of the coins and banknotes of Republic of Türkiye.
Most of the coins were produced by artists employed by the Mint, and most of the banknotes by the engravers of the Central Bank’s Banknote Print, yet in the early periods of the Republic, foreign experts were consulted and the works of artists participating in occasional competitions have also taken place on commemorative and circulation coins.
Artists whose designs were used on Turkish currency:
(dates in brackets indicate the year which the artist’s first design was released into circulation.)
The Turkish Republic was declared on the 29th of October, 1923. However, the first coins could be struck a year later.
In order not to hinder daily trade, coins and banknotes that the newly formed Republic inherited from the Ottoman Empire (*1) remained valid.
1924
The Law allowing the Republic to strike its own money was passed in February of 1924. In August, the 10 Kuruş, in September the 5 Kuruş and in October the 100 para bronze coins were put into circulation (*2). The coins inscribed with old text were designed by Ahmet Mesrur Durum (aka Mesrur Izzet Bey). Customary units were retained, 1 Lira was equal to 100 Kuruş, 1 Kuruş was equal to 40 Para.
10 Kurus 1924 – Reverse
5 Kurus 1924
100 Para reverse
10 Kurus 1924 – Obverse
1925
On 5th of October, 1925, the first golden coins of the Republic were produced. The 5 Lira pieces were struck ceremoniously. The very first piece take out of the press was entrusted to the Minister of Finance Abdülhalik Renda, to be delivered to the president Mustafa Kemal Atatürk(*3).
Meanwhile, the 25 Kuruş nickel coins were released into circulation. The public nicknamed them the “buffalo eye”, due to their large size.
Ankara gold Lira
Ankara Gold Lira
1928 – 25 Kurus (Buffalo Eye) Reverse
25 Kuruş 1928 Obverse
1926
Until 1926, the Ottoman fiscal calendar was the Rumi Calendar. In the Republican era, Türkiye switched to using the Gregorian Calendar.
Then the coins of 1926 and forward had the dates inscribed in that format. However, until the alphabet reform in 1928, years were still written in Eastern Arabic numerals as (١٩٢٦) (*4)
Ankara golds in two and a half (2½) Lira, One Lira, Half (½) and Quarter (¼) Lira coins were also introduced.
1927
Embellished Monnaies-de-Lux gold coins were introduced. They were struck in five types like the “Ankara Golds” the bullion coins of the Republic.
The first banknotes of the Republic were released on 5th of December 1927. The designs were made by Artist Ali Sami Boyar (*5) and the printing was done in London. The set of 1, 5, 10, 50, 100, 500 and 1.000 Lira are known as the “First Emission” within the Turkish financial circles.
Because the banknotes were printed before the alphabet reform, the texts are in Ottoman Turkish Arabic, and the value of the notes are also indicated in French; retaining the customs from the Ottoman Bank notes.
Due to the fact that banknotes were convertible to the gold standard, large denominations like 500 or 1.000 Lira had a great purchasing power. That is why it was unlikely that they were kept for collection purposes. Only few have remained to date.
Gold, Monnaies de Luxe
Gold, Monnaies de Luxe
1. Emission 1.000 Lira front side
1. Emission 1.000 Lira back side
1. Emission 500 Lira front side
1. Emission 500 Lira back side
1. Emission set 100 Lira front
1. Emission serie 100 Lira back side
1st Emission 50 Lira front
1st Emission 50 Lira back
1st Emission 5 Lira front
1st Emission 5 Lira back side
First Emission 10 Lira front
First Emission 10 Lira back
1. Emission set 1 Lira front
1. Emission set 1 Lira back
1931
Part of the reforms of the Republic, a modified version of the Latin letters was accepted as the official alphabet in 1928. In 1931, drafts for the banknotes in new letters were made. There are few specimens of 50 and 1.000 Lira notes that survived to day, however they were not mass printed for circulation (*36).
1934
Türkiye was also affected by the Great Depression of 1929, hence releasing any currency in the new alphabet was not possible until 1934.
The first coin with the new letters was 100 Kuruş of 1934. For its design, a contest was organised. The winning coin design bore an effigy of Mustafa Kemal Atatürk above branches of olive on the obverse, and a Crescent with star encircled with ears of wheat and oak branches. The design was the artwork of Artist Ali Cemal.
The word Cumhuriyet (Republic) was written with an “ü” letter as the exact orthography was not yet settled. Previous Arabic text lacked all the vowels Turkish language uses, hence transition to the new Turkish alphabet created such discrepancies for some time (*8).
100 Kurus portrait of Mustafa Kemal Pasha
100 Kurus obverse
1935
A new set of coins consisting of 1, 5, 10, 25 ve 50 Kuruş coins was introduced. The designs were the work of Percy Metcalfe.
Inherently valuable silver pieces bore the effigy of Mustafa Kemal Atatürk, facing left on the obverse and a single ear of wheat with the denomination on their reverse sides.
The less valuable cupronickel pieces had crescent and star in a pre-standardized form on their obverse, and oak branches for 10 Kr piece, olive branches on the 5 and 1 Kr pieces reverse sides. The designs were of the typical art deco style of Metcalfe.
Obverse with effigy of Mustafa Kemal Atatürk used on 50 and 25 Kurus silver coins released in 1935, and 1 Lira released in 1937
Reverse of the silver 50 Kuruş from 1935
Reverse of the silver 25 Kuruş from 1935
Obverse of the cupronickel small change (10, 5 and 1 Kuruş) released in 1935
Reverse of the cupronickel 10 Kuruş from 1935
Reverse of the cupronickel 5 Kuruş from 1935
Reverse of the cupronickel 1 Kuruş from 1935
1937
100 Kuruş was withdrawn, and silver coins denominated at 1 Lira value were introduced. Atatürk’s effigy remained as on the 50 and 25 Kr pieces, but the reverse had crescent and star with two ears of wheat. Examples of this coin dated 1935 exist but are very rare (*42 p.50).
First note of the 2nd emission; 5 Lira was released.
Reverse of 1 Lira released in 1937
2. Emisyon 5 Lira Ön yüzü
2. Emisyon 5 Lira arka tarafı
1938
Monnaies-de-Lux gold coins bearing Ataturk’s effigy were minted. Their design used the floral frame from V. Mehmed Resad’s 500 Kurus gold coin; the Ottoman Coat of Arms being replaced by an effigy of Ataturk within a ring of 32 stars, the reverse bearing a calligraphic inscription that reads Türkiye Cümhuriyeti (Turkish Republic).
1 Kurus coins were redesigned in undulated form because they were being confused with the silver 25 Kuruş pieces of same diameter. Examples of this coin dated 1938 with 10 bulges exist but are very rare (*42 p.31).
10, 50 and 100 Lira banknotes bearing texts in the new Latin letters were released as part of the 2. Emission.
Monnaies de Luxe obverse bearing effigy of Atatürk
Monnaies de Luxe reverse bearing calligraphic inscription in Latin letters “Türkiye Cümhuriyeti” (Turkish Republic)
2nd type of 1 Kurus coins released in 1938
2nd emission 10 Lira front
2nd emission 10 Lira back
2nd emission 50 Lira banknote front
2nd emission 50 Lira banknote back
2. emission 100 Lira front side
2. emission 100 Lira back side
1939
Two and a half (2½), 500 and 1.000 Lira banknotes were released continuing the 2. emission.
2. Emisyon 2½ Lira Ön yüzü
2. Emisyon 2½ Lira arka tarafı
2. Emisyon 500 Lira Ön yüzü
2. Emisyon 500 Lira arka tarafı
2. Emisyon 1000 Lira Ön yüzü
2. Emisyon 1000 Lira arka tarafı
1940
Silver 1 Lira coins bearing the portrait of the second president İsmet İnönü, and bronze 10 Para (quarter of a Kurus) coins were introduced into circulation.
500 and 1000 Lira banknotes bearing President Inonu were also released.
İnönü portrait used on 1940 1 Lira silver coins
10 Para obverse
10 Para reverse
2. Emisyon 500 Lira 2Ön yüzü
2. Emisyon 500 Lira 2. tertip arka tarafı
2. Emisyon 1000 Lira 2. tertip Ön yüzü
2. Emisyon 1000 Lira 2. tertip arka tarafı
1941
The ship carrying the 50 Kr and 100 Lira banknotes printed in UK, was bombed by the German planes at Port of Piraeus, Greece. The banknotes were scattered and collected by the locals, hence were declared void and were never released into circulation (*14, *36).
1942
1 Lira banknotes bearing İnönü’s portrait were released as part of 2nd Emission.
10, 50 and 100 Lira banknotes with İsmet İnönü’s image, were released into circulation. They were part of part of the 3. Emission.
Türkiye was following a neutrality policy and until a couple of months before the end of the war, retained relations both with the Allied and the Axis Powers. As the Turkish Republic did not have its own banknote printing house, banknotes for circulation were produced partly at the British and partly at the German printing houses. Sometime after the initial order of the 100 Lira banknotes printed in Germany, some unapproved series were seen in circulation (*36). Afterwards, the German printing houses were not used and following banknotes were printed by printers in USA.
2. Emisyon 1 Lira Ön yüzü
2. Emisyon 1 Lira arka tarafı
3. Emisyon 10 Lira arka tarafı
3. Emisyon 10 Lira Ön yüzü
3. Emisyon 50 Lira arka tarafı
3. Emisyon 50 Lira arka tarafı
3. Emisyon 100 Lira Ön yüzü
3. Emisyon 50 Lira arka tarafı
1943
Monnaies-de-Lux gold coins bearing the portrait of İnönü were minted.
Ziynet altını İsmet İnönü portresi
Ziynet Altını “Türkiye Cümhuriyeti” yazı tarafı
1944
Republican bullion gold coins with the new alphabet were minted in two types; half bearing Atatürk’s half İnönü’s effigy.
25 Kurus small change was no more struck in silver, but in cupronickel instead. This effectively meant a demotion of its status, hence the obverse could not bear Atatürk’s effigy and it was replaced by the crescent and star in the, by then, standardized form. These coins are of an alloy of zinc and bronze and produced by melting surplus artillery shell casings (*Ulus newspaper article by Ziya Tansu dated 14th of March 1948 and *42 p.46)
The word Cumhuriyet (Republic) was also amended into the settled syntax; with both u letters without any umlaut dots (*8).
50 Kr banknotes printed in Germany, part of the 2. emission group were introduced.
Meskuk Altın yazı tarafı
Meskuk Altın Atatürk Portreli
Meskuk Altın İsmet İnönü Portreli
1944 Yılı 25 Kuruş Ay yıldızlı Tura tarafı
1944 Yılı 25 Kuruş yazı yüzü
2. Emisyon 50 Kuruş Ön yüzü
2. Emisyon 50 Kuruş arka tarafı
1946
500 and 1000 Lira banknotes were released.
3. Emisyon 500 Lira Ön yüzü
3. Emisyon 100 Lira arka tarafı
3. Emisyon 500 Lira Ön yüzü
3. Emisyon 1000 Lira arka tarafı
1947
Silver 1 Lira and 50 Kurush coins with the obverse bearing crescent and star, and also bronze 1 Kurus coins were released into circulation. These coins were designed by Prof. Emin Barın; a prominent calligrapher of the time. Coins of the lowest denomination were struck with holes in them. All the coins since 1924 were being struck in medallion orientation, the new ones were switched into coin orientation.
3rd emission two and a half(2½) Lira, 50 Lira in the 2nd layout and 4th emission 10 and 100 Lira banknotes were released.
Obverse of the silver 1 Lira and 50 Kurus pieces
Silver 1 Lira
Silver 50 Kurus
Delikli 1 kuruş tura
Delikli 1 kuruş yazı yüzü
3. Emisyon 2½ Lira Ön yüzü
3. Emisyon 2½ Lira arka tarafı
3. Emisyon 50 Lira 2. tertip Ön yüzü
3. Emisyon 50 Lira arka tarafı
4. Emisyon 10 Lira Ön yüzü
4. Emisyon 10 Lira arka tarafı
4. Emisyon 100 Lira Ön yüzü
4. Emisyon 100 Lira Ön yüzü
1948
In 1944, 25 Kuruş pieces were struck in bronze and their obverse was matched to those of 1 Lira and 50 Kr coins already in circulation.
Two and a half (2½) Kurush (previously denominated at 100 Para) were minted in bronze with holes.
Half (½) Kuruş pieces were also designed and minted, completing the set of small change with the 1 and 2½ Kurus coins. However, they were not released into circulation. Some were included in the 1949 State Mint Sets and some were kept by the mint workers. It is estimated that there are circa 300 pieces in total (*25), hence they are among the rarest and most valuable coins of the Turkish Republic.
10 Lira 4. emission 2nd type were released.
25 Kuruş 1948 tura tarafı
1948 25 Kuruş
İki Buçuk Kuruş tura
İki Buçuk Kuruş yazı
Yarım Kuruş Tura
Yarım Kuruş yazı
4. Emisyon 2. tertip 10 Lira Ön yüzü
4. Emisyon 2. tertip 100 Lira arka tarafı
1949
10 and 5 Kuruş coins bearing the crescent and a star on their obverse were released. The circulation coins set of 1 Lira, 50, 25, 10 and 5 Kuruş gained a layout consistency.
1949 yılı 10 ve 5 Kuruşlarda kullanılan Ay yıldızlı tura yüzü
Abdullah Tasci and his professor Namik Bayik created the patterns for the majority of the coins of the 1982 Spain FIFA World Cup Commemorative Coins series. (One coin of the set of four pieces was designed mint sculptor Suat Ozyonum.)
1982 Spain World Football Championship gold 5000 TL – Obverse
1982 Spain World Football Championship gold 5000 TL – Reverse
1982 Spain World Football Championship silver 500 TL – Obverse
1982 Spain World Football Championship silver 500 TL – Reverse
1982 Spain World Football Championship cupronickel 100 TL – Obverse
1982 Spain World Football Championship cupronickel 100 TL – Reverse
He enrolled the Academy of Fine Arts in 1967, and graduated the Graphical Arts Faculty in 1972.
He became assistant professor in 1982 with his thesis titled “Graphic Layout and Contemporary Book Graphics in Turkish Manuscripts” under Prof. Emin Barın. He tought at the Mimar Sinan University of Fine Arts until his reitrement in 1999. Afterwards he tought at Maltepe University between 2000 and 2007, and at Dogus University between 2007 and 2020.
He created the logo still used by the Mimar Sinan University of Fine Arts, designed 8 font families, and translated around 1.000 fonts into Turkish.
Namik Bayik and his student Abdullah Tasci created the patterns for the majority of the coins of the 1982 Spain FIFA World Cup Commemorative Coins series. (One coin of the set of four pieces was designed mint sculptor Suat Ozyonum.)
1982 Spain World Football Championship gold 5000 TL – Obverse
1982 Spain World Football Championship gold 5000 TL – Reverse
1982 Spain World Football Championship silver 500 TL – Obverse
1982 Spain World Football Championship silver 500 TL – Reverse
1982 Spain World Football Championship cupronickel 100 TL – Obverse
1982 Spain World Football Championship cupronickel 100 TL – Reverse
1982 Spain World Football Championship (II) silver 500 TL – Obverse by Suat Ozyonum
1982 Spain World Football Championship (II) silver 500 TL – Reverse by Suat Ozyonum
Etem Çalışkan, another student of Prof. Emin Barın and Namik Bayik, designed the commemorative coins for the centenary of Atatürk’s birth.
Etem Caliskan is the artist who created the designs of the silver and gold coins commemorating the Centenary of Ataturk’s birth. (relief and models were made by the State Mint sculptor Hakkı Baha Cavusgil).
1981, Centenary of Ataturk’s birth gold coin reverse
1981, Centenary of Ataturk’s birth gold coin obverse
1981, 100th anniversary of Ataturk’s birth silver coins reverse
1981, Centenary of Ataturk’s birth silver One Lira obverse
1981, 100th anniversary of Ataturk’s birth silver Half Lira obverse
The artist studied at the Istanbul Academy of Fine Arts, as a sudent of Prof. Emin Barın (who designed the circulation coins of 1947) and also Prof. Namık Bayık who designed some of the 1982 commemoratives for World Football Cup.
Born in 1928 in Tarsus – Göçük. Studied in Mersin during his elementary and middle school. Enrolled Academy of Fine Arts, Poster Department for higher education.
Studied pattern under Prof. Sabri Berkel, typography under Prof. Emin Barın, poster design and graphics under Prof. Namık Bayık.
Assisted Prof Emin Barin during construction of Anitkabir (Ataturk’s Mosoleum) as they were tasked with inscribing significant panels and walls.
Worked for various newspapers such as Zafer, Öncü, Dünya, Aksam, Milliyet, Hürriyet, starting at Sabah in 1954 as an illustrator and calligrapher. Designed numerous book covers, posters; most notably the ones for the centenary of Atatürk’s birth.”
Prof. Emin Barın is the calligrapher, bookbinder and graphics artist who designed the coins released for circulation in 1947.
Obverse of the silver 1 Lira and 50 Kurus pieces
Silver 1 Lira
Silver 50 Kurus
Draft sketches of 1 Lira and 50 Kurus pieces from 1947
He was born in Bolu, on 2nd of June 1913 as the son of Mehmed Tevfik Efendi who was also a calligrapher and bookbinder.
As he had a deep interest and talent for painting, he succeeded to enroll to the Arts & Crafts programme at Ankara Gazi Institute in 1934. In 1936 he passed the exam for the talented students to be sent abroad for further education. He attended Turkish Decorative Arts programme at the Academy of Fine Arts as an intern and in 1938 was sent to Germany to study bookbinding under Prof. Dorfner. In 1939, he enrolled Printing and Bookmaking Academy at Leipzig. As a student of Prof. Thiemann, he studied modern typography and under Prof. Wiemeler he studied bookbinding.
With the start of the Second World War, he returned to Türkiye and fulfilled his duty in the army. In 1941, to finalize his studies, he returned to Leipzig and graduated in 1943. After his return to Turkey, he became a professor at the Academy of Fine Arts, Decorative Arts Department.
In 1946, he was appointed to design the new coinage. In 1953, as part of the 500th anniversary of the Conquest of Istanbul, he made 10 large plaques for prominent landmarks such as The Topkapı Gate and the Galata Tower.
Also in 1953, he created a special font family for the inscriptions for Anıtkabir (the mosoleum of Atatürk).
His students Etem Çalışkan (who was his assistant during the construction of Anıtkabir) and Abdullah Taşçı have also designed Turkish coins. Emin Barın is also a contemporary professor at the Academy of Fine Arts with Namık Bayık and Vedat Ömer Ar.
Standing, left-to-right: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey. Seated; left-to-right; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade… (Seramik Dünyası Magazine, March & April issue of 1996. p19 the article about Vedat Ar by Hande Kura
Cover photo: Mimar Sinan University of Fine Arts, Traditional Turkish Arts virtual exhibition
Vedat Ömer Ar was tone of the first place winners of the contest organized for 100 Kuruş 1934.
His model for the reverse of the coin won first place. For the obverse, the effigy of Mustafa Kemal Atatürk made by Mesrur İzzet Bey was selected by the jury. Both were awarded 1000 Lira each. However, the second place models were also sent to Ankara for consideration and eventually the models of the Artist Ali Cemal Bey were selected for the coins.
Vedat Ömer Ar, studied graphics in the Fine Arts Academy (today named Mimar Sinan University of Fine Arts) and was sent to France for further education after his graduation. Upon his return, he tought at the Academy as a contemporary of Prof. Emin Barın and Namık Bayık who have also designed cons for the State Mint.
Standing, left-to-right: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey. Seated; left-to-right; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade… (Seramik Dünyası Magazine, March & April issue of 1996. p19 the article about Vedat Ar by Hande Kura
He studied ceramics making in France and after his return, he became a professor at the Academy. Later he worked in stage decoration, animation, advertisement and documentary production. Died on 12 March 2001.
Vedat Ömer monogram, made of his initials and forms an owl
İstanbul Resim Heykel Müzesindeki “Balık” adlı eseri
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