Chronology of the Republican Era Currency

Part 1

(from Declaration of the Republic until 1950)

October the 29th, 1923

The Turkish Republic was declared on the 29th of October, 1923. However, the first coins could be struck a year later.

In order not to hinder daily trade, coins and banknotes that the newly formed Republic inherited from the Ottoman Empire (*1) remained valid.

1924

The Law allowing the Republic to strike its own money was passed in February of 1924. In August, the 10 Kuruş, in September the 5 Kuruş and in October the 100 para bronze coins were put into circulation (*2). The coins inscribed with old text were designed by Ahmet Mesrur Durum (aka Mesrur Izzet Bey). Customary units were retained, 1 Lira was equal to 100 Kuruş, 1 Kuruş was equal to 40 Para.


1925

On 5th of October, 1925, the first golden coins of the Republic were produced. The 5 Lira pieces were struck ceremoniously. The very first piece take out of the press was entrusted to the Minister of Finance Abdülhalik Renda, to be delivered to the president Mustafa Kemal Atatürk(*3).

Meanwhile, the 25 Kuruş nickel coins were released into circulation. The public nicknamed them the “buffalo eye”, due to their large size.


1926

Until 1926, the Ottoman fiscal calendar was the Rumi Calendar. In the Republican era, Türkiye switched to using the Gregorian Calendar.

Then the coins of 1926 and forward had the dates inscribed in that format. However, until the alphabet reform in 1928, years were still written in Eastern Arabic numerals as (١٩٢٦)  (*4)

Ankara golds in two and a half (2½) Lira, One Lira, Half (½) and Quarter (¼) Lira coins were also introduced.


1927

Embellished Monnaies-de-Lux gold coins were introduced. They were struck in five types like the “Ankara Golds” the bullion coins of the Republic.

The first banknotes of the Republic were released on 5th of December 1927. The designs were made by Artist Ali Sami Boyar (*5) and the printing was done in London. The set of 1, 5, 10, 50, 100, 500 and 1.000 Lira are known as the “First Emission” within the Turkish financial circles.

Because the banknotes were printed before the alphabet reform, the texts are in Ottoman Turkish Arabic, and the value of the notes are also indicated in French; retaining the customs from the Ottoman Bank notes.

Due to the fact that banknotes were convertible to the gold standard, large denominations like 500 or 1.000 Lira had a great purchasing power. That is why it was unlikely that they were kept for collection purposes. Only few have remained to date.


1931

Part of the reforms of the Republic, a modified version of the Latin letters was accepted as the official alphabet in 1928. In 1931, drafts for the banknotes in new letters were made. There are few specimens of 50 and 1.000 Lira notes that survived to day, however they were not mass printed for circulation (*36).


1934

Türkiye was also affected by the Great Depression of 1929,  hence releasing any currency in the new alphabet was not possible until 1934.

The first coin with the new letters was 100 Kuruş of 1934. For its design, a contest was organised. The winning coin design bore an effigy of Mustafa Kemal Atatürk above branches of olive on the obverse, and a Crescent with star encircled with ears of wheat and oak branches. The design was the artwork of Artist Ali Cemal.

The word Cumhuriyet (Republic) was written with an “ü” letter as the exact orthography was not yet settled. Previous Arabic text lacked all the vowels Turkish language uses, hence transition to the new Turkish alphabet created such discrepancies for some time (*8).


1935

A new set of coins consisting of 1, 5, 10, 25 ve 50 Kuruş coins was introduced. The designs were the work of Percy Metcalfe.

Inherently valuable silver pieces bore the effigy of Mustafa Kemal Atatürk, facing left on the obverse and a single ear of wheat with the denomination on their reverse sides.

The less valuable cupronickel pieces had crescent and star in a pre-standardized form on their obverse, and oak branches for 10 Kr piece, olive branches on the 5 and 1 Kr pieces reverse sides. The designs were of the typical art deco style of Metcalfe.


 

1937

100 Kuruş was withdrawn, and silver coins denominated at 1 Lira value were introduced. Atatürk’s effigy remained as on the 50 and 25 Kr pieces, but the reverse had crescent and star with two ears of wheat. Examples of this coin dated 1935 exist but are very rare (*42 p.50).

First note of the 2nd emission; 5 Lira was released.


1938

Monnaies-de-Lux gold coins bearing Ataturk’s effigy were minted. Their design used the floral frame from V. Mehmed Resad’s 500 Kurus gold coin; the Ottoman Coat of Arms being replaced by an effigy of Ataturk within a ring of 32 stars, the reverse bearing a calligraphic inscription that reads Türkiye Cümhuriyeti (Turkish Republic).

1 Kurus coins were redesigned in undulated form because they were being confused with the silver 25 Kuruş pieces of same diameter. Examples of this coin dated 1938 with 10 bulges exist but are very rare (*42 p.31).

10, 50 and 100 Lira banknotes bearing texts in the new Latin letters were released as part of the 2. Emission.


1939

Two and a half (2½), 500 and 1.000 Lira banknotes were released continuing the 2. emission.


1940

Silver 1 Lira coins bearing the portrait of the second president İsmet İnönü, and bronze 10 Para (quarter of a Kurus) coins were introduced into circulation.

500 and 1000 Lira banknotes bearing President Inonu were also released.


1941

The ship carrying the 50 Kr and 100 Lira banknotes printed in UK, was bombed by the German planes at Port of Piraeus, Greece. The banknotes were scattered and collected by the locals, hence were declared void and were never released into circulation (*14, *36).


1942

1 Lira banknotes bearing İnönü’s portrait were released as part of 2nd Emission.

10, 50 and 100 Lira banknotes with İsmet İnönü’s image, were released into circulation. They were part of part of the 3. Emission.

Türkiye was following a neutrality policy and until a couple of months before the end of the war, retained relations both with the Allied and the Axis Powers. As the Turkish Republic did not have its own banknote printing house, banknotes for circulation were produced partly at the British and partly at the German printing houses. Sometime after the initial order of the 100 Lira banknotes printed in Germany, some unapproved series were seen in circulation (*36). Afterwards, the German printing houses were not used and following banknotes were printed by printers in USA.


1943

Monnaies-de-Lux gold coins bearing the portrait of İnönü were minted.


1944

Republican bullion gold coins with the new alphabet were minted in two types; half bearing Atatürk’s half İnönü’s effigy.

25 Kurus small change was no more struck in silver, but in cupronickel instead. This effectively meant a demotion of its status, hence the obverse could not bear Atatürk’s effigy and it was replaced by the crescent and star in the, by then, standardized form. These coins are of an alloy of zinc and bronze and produced by melting surplus artillery shell casings (*Ulus newspaper article by Ziya Tansu dated 14th of March 1948 and *42 p.46)

The word Cumhuriyet (Republic) was also amended into the settled syntax; with both u letters without any umlaut dots (*8).

50 Kr banknotes printed in Germany, part of the 2. emission group were introduced.


1946

500 and 1000 Lira banknotes were released.


1947

Silver 1 Lira and 50 Kurush coins with the obverse bearing crescent and star, and also bronze 1 Kurus coins were released into circulation. These coins were designed by Prof. Emin Barın; a prominent calligrapher of the time. Coins of the lowest denomination were struck with holes in them. All the coins since 1924 were being struck in medallion orientation, the new ones were switched into coin orientation.

3rd emission two and a half (2½) Lira, 50 Lira in the 2nd layout and 4th emission 10 and 100 Lira banknotes were released.


1948

In 1944, 25 Kuruş pieces were struck in bronze and their obverse was matched to those of 1 Lira and 50 Kr coins already in circulation.

Two and a half (2½) Kurush (previously denominated at 100 Para) were minted in bronze with holes.

Half (½) Kuruş pieces were also designed and minted, completing the set of small change with the 1 and 2½ Kurus coins. However, they were not released into circulation. Some were included in the 1949 State Mint Sets and some were kept by the mint workers. It is estimated that there are circa 300 pieces in total (*25), hence they are among the rarest and most valuable coins of the Turkish Republic.

10 Lira 4. emission 2nd type were released.


1949

10 and 5 Kuruş coins bearing the crescent and a star on their obverse were released. The circulation coins set of 1 Lira, 50, 25, 10 and 5 Kuruş gained a layout consistency.


… more to follow

Etem Çalışkan

Etem Caliskan is the artist who created the designs of the silver and gold coins commemorating the Centenary of Ataturk’s birth. (relief and models were made by the State Mint sculptor Hakkı Baha Cavusgil).

The artist studied at the Istanbul Academy of Fine Arts, as a sudent of Prof. Emin Barın (who designed the circulation coins of 1947) and also  Prof. Namık Bayık who designed some of the 1982 commemoratives for World Football Cup.

His brief bio on his personal webpage:

“Publicist, artist, painter, calligrapher.

Born in 1928 in Tarsus – Göçük. Studied in Mersin during his elementary and middle school. Enrolled Academy of Fine Arts, Poster Department for higher education.

Studied pattern under Prof. Sabri Berkel, typography under Prof. Emin Barın, poster design and graphics under Prof. Namık Bayık.

Assisted Prof Emin Barin during construction of Anitkabir (Ataturk’s Mosoleum) as they were tasked with inscribing significant panels and walls.

Worked for various newspapers such as Zafer, Öncü, Dünya, Aksam, Milliyet, Hürriyet,  starting at Sabah in 1954 as an illustrator and calligrapher. Designed numerous book covers, posters; most notably the ones for the centenary of Atatürk’s birth.”

 

Cover photo: https://yurthaberleri.net/haber/etem-caliskandan-ataturk-portreleri-sergisi-haberi-1368.html

Mehmet Emin Barın (1913 ~ 1987)

Prof. Emin Barın is the calligrapher, bookbinder and graphics artist who designed the coins released for circulation in 1947.

He was born in Bolu, on 2nd of June 1913 as the son of  Mehmed Tevfik Efendi who was also a calligrapher and bookbinder.

As he had a deep interest and talent for painting, he succeeded to enroll to the Arts & Crafts programme at Ankara Gazi Institute in 1934. In 1936 he passed the exam for the talented students to be sent abroad for further education. He attended Turkish Decorative Arts programme at the Academy of Fine Arts as an intern and in 1938 was sent to Germany to study bookbinding under Prof. Dorfner. In 1939, he enrolled Printing and Bookmaking Academy at Leipzig. As a student of Prof. Thiemann, he studied modern typography and under Prof. Wiemeler he studied bookbinding.

With the start of the Second World War, he returned to Türkiye and fulfilled his duty in the army. In 1941, to finalize his studies, he returned to Leipzig and graduated in 1943. After his return to Turkey, he became a professor at the Academy of Fine Arts, Decorative Arts Department.

In 1946, he was appointed to design the new coinage. In 1953, as part of the 500th anniversary of the Conquest of Istanbul, he made 10 large plaques for prominent landmarks such as The Topkapı Gate and the Galata Tower.

Also in 1953, he created a special font family for the inscriptions for Anıtkabir (the mosoleum of Atatürk).

His students Etem Çalışkan (who was his assistant during the construction of Anıtkabir) and Abdullah Taşçı have also designed Turkish coins. Emin Barın is also a contemporary professor at the Academy of Fine Arts with Namık Bayık and Vedat Ömer Ar.

Standing, left-to-right: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey. Seated; left-to-right; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade… (Seramik Dünyası Magazine, March & April issue of 1996. p19 the article about Vedat Ar by Hande Kura

 

 

Cover photo: Mimar Sinan University of Fine Arts, Traditional Turkish Arts virtual exhibition

(https://sanal-sergi.msgsu.edu.tr/emin-barin-sergisi)

Ali Sami Boyar (1880 ~1967)

Ali Sami Boyar is the designer of the first emission banknotes released in 1927 (*5 Sf.6).

He studied arts during middle school and later at the Naval Academy. Graduated the Naval Academy in 1901 and while working for the Navy, enrolled to Fine Arts School which he graduated in 1908.

In 1925, he won the contest for the first stamps of the Republic. Later in his career, while he was managing the Museum of Endowments (today Turkish and Islamic Arts Museum), he was appointed to produce the designs for the first banknotes of the republic.

he was sent to London to oversee the printing process along with the State Mint engraver İsmail Haşim and some other officials. The inscriptions on the banknotes were made by Calligrapher Ahmet in different font styles, so that it would be easier for the public to recognize different denominations. *1. The portrait on the 1000, 500 and 100 Lira banknotes was based on Atatürk’s photo taken at the Phebus Photo Studio by Bogos Tarkulyan(*2).

The series consisting of 1, 5, 10, 50, 100, 500 and 1.000 Lira denominations was printed in London Thomas de la Rue Printhouse.

 

The symbolism of the banknotes included Grey Wolf, Crescent and star, the new parliament in Ankara. The texts were still in the Turkish Arabic syntax and in traditional and partly kufic fonts.

Sources:

[1]Story of The Printing of The First Banknotes of the Turkish Republic According to The Daily Cumhuriyet, Melek Öksüz, Tarih Dergisi – Turkish Journal of History, 81 (2023/3): 63-120

[2] Belki Beni Tanıyamayacaksın: Lesser known photos and memoirs of Atatürk from Ömer Koç Collection

[3] Koleksiyon.org; article by Koray Tekay (“from an article from the book “75 Yılda Para’nın Serüveni” (adventures of our money in the last 75 years))

Some detailed biographies of the airtist (Turkish):

Ahmet Mesrur Durum (1873 ~ 1952)

Designer of the last coins of the Ottoman Empire and also the first coin series of the Turkish Republic minted between 1924 – 1928.

Also known as Mesrur İzzet Bey, he has been serving the Istanbul Mint since 1905 and is also the designer of the Turkish Medal of Independance.

Has studied sculpture in Fine Arts School (later called “Istanbul Fine Arts Academy, today named Mimar Sinan Fine Arts University).

He has worked on several fields such as sculpture, paintings, philately and numismatics, and has designed a significant amount of medals for various establishments.

The Republican Era coins he has designed are:

  • 100 Para 1924 ~1928
  • 5 Kuruş 1924 ~1928
  • 10 Kuruş 1924 ~1928
  • 25 Kuruş (nikel) 1925 ~1928
  • 25 Kuruş (1/4 Altın Lira, Meskuk) 1926 ~1929
  • 25 Kuruş (1/4 Altın Lira, Ziynet) 1927 ~1928
  • 50 Kuruş (1/2 Altın Lira, Meskuk) 1926 ~1929
  • 50 Kuruş (1/2 Altın Lira, Ziynet) 1927 ~1928
  • 1 Lira (Ankara Gold Bullion) 1926 ~1929
  • 1 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 2,5 Lira (Ankara Gold Bullion) 1926 ~1929
  • 2,5 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 5 Lira (Ankara Gold Bullion) 1925 ~1929
  • 5 Lira (Gold, Monnaies de Luxe) 1927 ~1928
  • 10 Para 1936 (This smallest denomination coin was exempt from the contests of 1934, first drafts were announced in 1934. Newspapers and the magazines published photo of the models but it was introduced into circulation firstly in 1940.
  • 2005 Yılı 50 Yeni Kuruş (New Kurus) obverse bearing Atatürk facing right is also based on a reused model from his works of 1933.

His life and works are published in detail in a two volume book by Celil Ender & Orhan Okay (2003 & 2004 Turkish Numismatics Society Publications)