Chronology of the Republican Era Currency

Part 1

(from Declaration of the Republic until 1950)

October the 29th, 1923

The Turkish Republic was declared on the 29th of October, 1923. However, the first coins could be struck a year later.

In order not to hinder daily trade, coins and banknotes that the newly formed Republic inherited from the Ottoman Empire (*1) remained valid.

1924

The Law allowing the Republic to strike its own money was passed in February of 1924. In August, the 10 Kuruş, in September the 5 Kuruş and in October the 100 para bronze coins were put into circulation (*2). The coins inscribed with old text were designed by Ahmet Mesrur Durum (aka Mesrur Izzet Bey). Customary units were retained, 1 Lira was equal to 100 Kuruş, 1 Kuruş was equal to 40 Para.


1925

On 5th of October, 1925, the first golden coins of the Republic were produced. The 5 Lira pieces were struck ceremoniously. The very first piece take out of the press was entrusted to the Minister of Finance Abdülhalik Renda, to be delivered to the president Mustafa Kemal Atatürk(*3).

Meanwhile, the 25 Kuruş nickel coins were released into circulation. The public nicknamed them the “buffalo eye”, due to their large size.


1926

Until 1926, the Ottoman fiscal calendar was the Rumi Calendar. In the Republican era, Türkiye switched to using the Gregorian Calendar.

Then the coins of 1926 and forward had the dates inscribed in that format. However, until the alphabet reform in 1928, years were still written in Eastern Arabic numerals as (١٩٢٦)  (*4)

Ankara golds in two and a half (2½) Lira, One Lira, Half (½) and Quarter (¼) Lira coins were also introduced.


1927

Embellished Monnaies-de-Lux gold coins were introduced. They were struck in five types like the “Ankara Golds” the bullion coins of the Republic.

The first banknotes of the Republic were released on 5th of December 1927. The designs were made by Artist Ali Sami Boyar (*5) and the printing was done in London. The set of 1, 5, 10, 50, 100, 500 and 1.000 Lira are known as the “First Emission” within the Turkish financial circles.

Because the banknotes were printed before the alphabet reform, the texts are in Ottoman Turkish Arabic, and the value of the notes are also indicated in French; retaining the customs from the Ottoman Bank notes.

Due to the fact that banknotes were convertible to the gold standard, large denominations like 500 or 1.000 Lira had a great purchasing power. That is why it was unlikely that they were kept for collection purposes. Only few have remained to date.


1931

Part of the reforms of the Republic, a modified version of the Latin letters was accepted as the official alphabet in 1928. In 1931, drafts for the banknotes in new letters were made. There are few specimens of 50 and 1.000 Lira notes that survived to day, however they were not mass printed for circulation (*36).


1934

Türkiye was also affected by the Great Depression of 1929,  hence releasing any currency in the new alphabet was not possible until 1934.

The first coin with the new letters was 100 Kuruş of 1934. For its design, a contest was organised. The winning coin design bore an effigy of Mustafa Kemal Atatürk above branches of olive on the obverse, and a Crescent with star encircled with ears of wheat and oak branches. The design was the artwork of Artist Ali Cemal.

The word Cumhuriyet (Republic) was written with an “ü” letter as the exact orthography was not yet settled. Previous Arabic text lacked all the vowels Turkish language uses, hence transition to the new Turkish alphabet created such discrepancies for some time (*8).


1935

A new set of coins consisting of 1, 5, 10, 25 ve 50 Kuruş coins was introduced. The designs were the work of Percy Metcalfe.

Inherently valuable silver pieces bore the effigy of Mustafa Kemal Atatürk, facing left on the obverse and a single ear of wheat with the denomination on their reverse sides.

The less valuable cupronickel pieces had crescent and star in a pre-standardized form on their obverse, and oak branches for 10 Kr piece, olive branches on the 5 and 1 Kr pieces reverse sides. The designs were of the typical art deco style of Metcalfe.


 

1937

100 Kuruş was withdrawn, and silver coins denominated at 1 Lira value were introduced. Atatürk’s effigy remained as on the 50 and 25 Kr pieces, but the reverse had crescent and star with two ears of wheat. Examples of this coin dated 1935 exist but are very rare (*42 p.50).

First note of the 2nd emission; 5 Lira was released.


1938

Monnaies-de-Lux gold coins bearing Ataturk’s effigy were minted. Their design used the floral frame from V. Mehmed Resad’s 500 Kurus gold coin; the Ottoman Coat of Arms being replaced by an effigy of Ataturk within a ring of 32 stars, the reverse bearing a calligraphic inscription that reads Türkiye Cümhuriyeti (Turkish Republic).

1 Kurus coins were redesigned in undulated form because they were being confused with the silver 25 Kuruş pieces of same diameter. Examples of this coin dated 1938 with 10 bulges exist but are very rare (*42 p.31).

10, 50 and 100 Lira banknotes bearing texts in the new Latin letters were released as part of the 2. Emission.


1939

Two and a half (2½), 500 and 1.000 Lira banknotes were released continuing the 2. emission.


1940

Silver 1 Lira coins bearing the portrait of the second president İsmet İnönü, and bronze 10 Para (quarter of a Kurus) coins were introduced into circulation.

500 and 1000 Lira banknotes bearing President Inonu were also released.


1941

The ship carrying the 50 Kr and 100 Lira banknotes printed in UK, was bombed by the German planes at Port of Piraeus, Greece. The banknotes were scattered and collected by the locals, hence were declared void and were never released into circulation (*14, *36).


1942

1 Lira banknotes bearing İnönü’s portrait were released as part of 2nd Emission.

10, 50 and 100 Lira banknotes with İsmet İnönü’s image, were released into circulation. They were part of part of the 3. Emission.

Türkiye was following a neutrality policy and until a couple of months before the end of the war, retained relations both with the Allied and the Axis Powers. As the Turkish Republic did not have its own banknote printing house, banknotes for circulation were produced partly at the British and partly at the German printing houses. Sometime after the initial order of the 100 Lira banknotes printed in Germany, some unapproved series were seen in circulation (*36). Afterwards, the German printing houses were not used and following banknotes were printed by printers in USA.


1943

Monnaies-de-Lux gold coins bearing the portrait of İnönü were minted.


1944

Republican bullion gold coins with the new alphabet were minted in two types; half bearing Atatürk’s half İnönü’s effigy.

25 Kurus small change was no more struck in silver, but in cupronickel instead. This effectively meant a demotion of its status, hence the obverse could not bear Atatürk’s effigy and it was replaced by the crescent and star in the, by then, standardized form. These coins are of an alloy of zinc and bronze and produced by melting surplus artillery shell casings (*Ulus newspaper article by Ziya Tansu dated 14th of March 1948 and *42 p.46)

The word Cumhuriyet (Republic) was also amended into the settled syntax; with both u letters without any umlaut dots (*8).

50 Kr banknotes printed in Germany, part of the 2. emission group were introduced.


1946

500 and 1000 Lira banknotes were released.


1947

Silver 1 Lira and 50 Kurush coins with the obverse bearing crescent and star, and also bronze 1 Kurus coins were released into circulation. These coins were designed by Prof. Emin Barın; a prominent calligrapher of the time. Coins of the lowest denomination were struck with holes in them. All the coins since 1924 were being struck in medallion orientation, the new ones were switched into coin orientation.

3rd emission two and a half (2½) Lira, 50 Lira in the 2nd layout and 4th emission 10 and 100 Lira banknotes were released.


1948

In 1944, 25 Kuruş pieces were struck in bronze and their obverse was matched to those of 1 Lira and 50 Kr coins already in circulation.

Two and a half (2½) Kurush (previously denominated at 100 Para) were minted in bronze with holes.

Half (½) Kuruş pieces were also designed and minted, completing the set of small change with the 1 and 2½ Kurus coins. However, they were not released into circulation. Some were included in the 1949 State Mint Sets and some were kept by the mint workers. It is estimated that there are circa 300 pieces in total (*25), hence they are among the rarest and most valuable coins of the Turkish Republic.

10 Lira 4. emission 2nd type were released.


1949

10 and 5 Kuruş coins bearing the crescent and a star on their obverse were released. The circulation coins set of 1 Lira, 50, 25, 10 and 5 Kuruş gained a layout consistency.


… more to follow

Abdullah Taşçı

Abdullah Tasci and his professor Namik Bayik created the patterns for the majority of the coins of the 1982 Spain FIFA World Cup Commemorative Coins series. (One coin of the set of four pieces was designed mint sculptor Suat Ozyonum.)

He enrolled the Academy of Fine Arts in 1967, and graduated the Graphical Arts Faculty in 1972.

He became assistant professor in 1982 with his thesis titled “Graphic Layout and Contemporary Book Graphics in Turkish Manuscripts” under Prof. Emin Barın. He tought at the Mimar Sinan University of Fine Arts until his reitrement in 1999. Afterwards he tought at Maltepe University between 2000 and 2007, and at Dogus University between 2007 and 2020.

He created the logo still used by the Mimar Sinan University of Fine Arts, designed 8 font families, and translated around 1.000 fonts into Turkish.

Personal website:https://www.abdullahtasci.com.tr/whoisabdullahtasci

*Etem Çalışkan, who is also a student of Prof. Emin Barın and Namik Bayik, designed the commemorative coins for the centenary of Atatürk’s birth.

Namık Bayık (1926 ~ 1992)

Namik Bayik and his student Abdullah Tasci created the patterns for the majority of the coins of the 1982 Spain FIFA World Cup Commemorative Coins series. (One coin of the set of four pieces was designed mint sculptor Suat Ozyonum.)

Etem Çalışkan, another student of Prof. Emin Barın and Namik Bayik, designed the commemorative coins for the centenary of Atatürk’s birth.

https://arhm.ktb.gov.tr/artists/detail/2240/namik-bayik-1926-1992

Etem Çalışkan

Etem Caliskan is the artist who created the designs of the silver and gold coins commemorating the Centenary of Ataturk’s birth. (relief and models were made by the State Mint sculptor Hakkı Baha Cavusgil).

The artist studied at the Istanbul Academy of Fine Arts, as a sudent of Prof. Emin Barın (who designed the circulation coins of 1947) and also  Prof. Namık Bayık who designed some of the 1982 commemoratives for World Football Cup.

His brief bio on his personal webpage:

“Publicist, artist, painter, calligrapher.

Born in 1928 in Tarsus – Göçük. Studied in Mersin during his elementary and middle school. Enrolled Academy of Fine Arts, Poster Department for higher education.

Studied pattern under Prof. Sabri Berkel, typography under Prof. Emin Barın, poster design and graphics under Prof. Namık Bayık.

Assisted Prof Emin Barin during construction of Anitkabir (Ataturk’s Mosoleum) as they were tasked with inscribing significant panels and walls.

Worked for various newspapers such as Zafer, Öncü, Dünya, Aksam, Milliyet, Hürriyet,  starting at Sabah in 1954 as an illustrator and calligrapher. Designed numerous book covers, posters; most notably the ones for the centenary of Atatürk’s birth.”

 

Cover photo: https://yurthaberleri.net/haber/etem-caliskandan-ataturk-portreleri-sergisi-haberi-1368.html

Hakkı Baha Çavuşgil (1924 ~ 2006)

Hakkı Baha Çavuşgil, started working for the Turkish State Mint in 1979 and created dozens of circulation and commemorative coins until his death.

He graduated from Fine Arts Academy and created many sculptures, focusing on abstract figures.

His brief cv from the State Mint Website:

He was born on 15th of May, 1924 in Harput, Elazig. completed his primary and middle education in Canakkale, his high school in the capital; Financial Trade School of Ankara.

Enrolled to Academy of Fine Arts (Mimar Sinan Fine Arts University today). Received lessons from Rudolf Belling and Zuhtu Muritoglu workshops, graduated sculpture programme in 1955. Also graduated Decoration and Ornamentation Arts Ceramics programme in 1957.

Studied in Italy under Italian Gov’t scholarship at Rome Istituto Centrale Del Restauro for five years.

Graduated Rome Medallion Arts School with honours (1962)

Staged dozens of exhibitions domestically and abroad, received several awards.

His creations while working for the State Mint:

  • 1981 Centennary of Ataturk’s birth; Half (½) and whole 1 Lira silver and gold coins (*1)
  • 1981 FAO World Food Day; 16th of October 20 Lira aluminium and 1.500 Lira silver coins
  • 1982 Hicretin 15. Yüzyılı
  • 1982 FAO 16 Ekim Dünya Besin Günü gümüş 1.500 Lira
  • 1982 Dünya İzciliğinin 75. Yılı
  • 1983 Anadolu Medeniyetleri Sergisi 500 Lira küpronikel ve 50.000 Lira altın
  • 1983 Cumhuriyet’in 60. Yılı (İnsan figürlerinin taşıdığı Ay Yıldız desenli yazı tarafı, *2)
  • 1984 Kış Olimpiyatları – Sarajevo, Bosna Hersek
  • 1984 Yaz Olimpiyatları – Los Angeles, ABD
  • 1985 Turgut Reis 500. doğum yılı gümüş 5.000 Lira ve altın 50.000 Lira
  • 1986 Dünya Futbol Şampiyonası – Meksika (kaktüs figürlü gümüş ve altın, ayrıca futbolcu figürlü gümüş, toplam 3 hatıra para)
  • 1986 Mehmet Akif Ersoy 50. Ölüm Yılı
  • 1987 Ormancılığımızın 130 Yılı, “Yeşili Yaşat, Ormanı Koru” sloganlı biri gümüş, biri altın iki hatıra para
  •  1988 Kış Olimpiyatları – Calgary, Kanada
  • 1988 Yaz Olimpiyatları – Seul, Güney Kore
  • 1988 Mavi Haliç, Büyük İstanbul Çevre Koruma Projesi, altın ve gümüş iki hatıra para
  • 1989 İstanbul Metrosu
  • 1989 Mimar Sinan 400. Anma Yılı (1.000 Liralık küpro-nikel, 20.000 Liralık gümüş ve 200.000 Liralık altın)
  • 1990 Çanakkale Zaferi 75. Yıl gümüş ve altın iki hatıra para
  • 1990 Parlamenter Demokraside 70. Yıl gümüş ve altın iki hatıra para
  • 1990 Dünya Futbol Şampiyonası – İtalya (Romus & Romülüs’ü emziren kurt figürlü ve top süren bir futbolcu desenli iki gümüş para)
  • 1991 Mozart 200. Ölüm Yılı – Saraydan Kız Kaçırma Operası – Topkapı Sarayı
  • 1992 500 Years of Peace and Harmony – Turkish Jews (Sefarad Yahudileri Göçü’nün 500. Yıldönümü, küpronikel, gümüş ve altın)
  • 1992 Cioacchino Rossini 200. Doğum Yılı
  • 1992 Muhsin Ertuğrul 100. Doğum Yılı
  • 1993 Türkiye Kızılay Derneği 125. Yıl (gümüş ve altın iki hatıra para)
  • 1993 Cumhuriyet’in 70. Yılı
  • 1993 Pyotr İliç Çaykovskiy 100. Ölüm Yılı
  • 1994 GAP – Güneydoğu Anadolu Projesi
  • 1995 25.000 Lira tedavül
  • 1995 25.000 Lira “Dünya Hoşgörü Yılı”
  • 1995 Piri Reis (Gemiler ve Kaşifler Serisi No: 1) (gümüş ve altın iki hatıra para)
  • 1995 FAO 50. Yıl
  • 1996 Yaz Olimpiyatları – Atlanta, ABD
  • 1996 Nasreddin Hoca – UNESCO Dünya Kahkaha Yılı (*3)
  • 1996 Gümrük Birliği – Customs Union
  • 1996 ECU
  • 1997 Piri Reis (Gemiler ve Kaşifler Serisi No: 2) (1995’teki desen ile aynı ancak daha ufak bir altın para)
  • 1997 Çin Seddi ve Toprak Asker Ordusu (İpek Yolu Serisi No: 1)
  • 1997 Mehmet Akif Ersoy 60. Ölüm Yılı
  • 1997 Hezarfen Ahmet Çelebi – 1st World Air Games (Dünya Hava Oyunları,750.000 ve 1.500.000 Liralık iki gümüş *3)
  • 1997 Barbaros Hayreddin Paşa Kaptan-ı Derya (Gemiler ve Kaşifler Serisi No: 3)
  • 1997 Lidya Krallığı Kroisos
  • 1997 Myra’lı Aziz Noel Baba € EURO
  • 1998 Dünya Futbol Şampiyonası – Fransa
  • 1998 Cumhuriyet’in 75. Yılı – Cumhuriyet ve Devrimler (Çağdaş Giyim Kuşam, Şapka Devrimi)
  • 1998 Yaz Olimpiyatları 2000 – Halter
  • 1999 Dünyada İlk Para Lidya (altın para 1997 tarihlidir)
  • 1999 Uygur Bölgesi (İpek Yolu Serisi No: 2)
  • 1999 Osmanlı İmparatorluğu’nun Kuruluşunun 700. yılı – Osman Gazi
  • 2000 Bill Clinton’un Ziyareti (gümüş ve bimetal)
  • 2001 Darphane’nin Kuruluşu 1467 Madalyonu
  • 2001 Türkiye’nin Kuşları – Saz Horozu (Porphyrio Porphyrio)
  • 2001 Türkiye’nin Kuşları – Yeşil Arıkuşu (Merops Superciliosus)
  • 2002 Türkiye’nin Çiçekleri – Benekli Yılanyastığı (Arum Maculatum)
  • 2002 Türkiye’nin Çiçekleri – Safran (Crocus Sativus)
  • 2002 Türkiye’nin Çiçekleri – Domuztopalağı (Cyclamen Trochopteranthum)
  • 2002 Yunus Emre “Adımız miskindir bizim, Düşmanımız kindir bizim”
  • 2003 Olimpic Games 2000 – Güreş (altın para 2000 tarihlidir)
  • 2004 İsmet İnönü (Binyılın Türkleri Serisi)
  • 2004 Kanuni Sultan Süleyman (Binyılın Türkleri Serisi)
  • 2005 Çöl Varanı (Türkiye’nin Hayvanları)
  • 2008 İpek Yolu – Kırgızistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2008 İpek Yolu – Özbekistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2012 İpek Yolu – Türkmenistan (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2013 İpek Yolu – İran (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)
  • 2014 İpek Yolu – Kayseri (1999 Uygur Bölgesi parasında kullanılan yazı yüzü, *4)

Medallions:

  • 1988 Türk Nümismatik Derneği “İsmail Galip Bey” Madalyonu
  • 1999 Türk Nümismatik Derneği “Cüneyt Ölçer” Madalyonu
  • 2001 Darphane’nin Kuruluşu 1467 Madalyonu

[1] Paraların deseni Etem Çalışkan‘a, rölyef ve kalıp uygulaması Hakkı Baha Çavuşgil’e aittir (*27, Sf. 51).

[2] Paranın Atatürk portreli tura tarafı Suat Özyönüm eseridir (*27, Sf. 68).

[3] Paraların deseni Turhan Selçuka, rölyef ve kalıp uygulaması Hakkı Baha Çavuşgil’e aittir (*27, Sf. 153 & 165).

[4] Paraların tura yüzü Tekin Gülbasar‘a aittir.

ilave okuma: https://www.idildergisi.com/makale/pdf/1548617739.pdf

Suat Özyönüm

Born in 1951, the artist enrolled in the Academy of Fine Arts in 1974. With encouragement from his professors Şadi Çalık and Hüseyin Gezer, he started working for the State Mint in 1977. However, he quit to focus on his studies. One year after graduating from the academy in 1980,  he again joined the Mint staff. In 1986 he was sent to Italian Mint in Rome on a five-month programme to study contemporary coin making techniques.

Exhibitions he took part in:

  • 1976 yılında Arkeoloji müzeleri açık hava resim sergisine katıldı.
  • 1978 YDGSA Yüksek heykel bölümü öğrenci gurup sergisine katıldı.
  • 1978 yılında Devlet resim heykel sergisine katıldı.
  • 1979 yılında ilk kişisel heykel sergisini Nur Sanat Galerisi’nde açtı.
  • 1979 yılında Devlet resim heykel sergisine katıldı.
  • 1979 yılında 2. Sanat Bayramı etkinliklerine katıldı.
  • 1981 yılında 3.İstanbul Sanat Bayramı “Yeni Eğilimler” Sergisine katıldı.
  • 1981 yılında Maçka sanat galerisi çağdaş karma heykel sergisine katıldı.
  • 1981 yılında Moda Güzel Sanatlar Galerisi’nde karma resim ve heykel sergisine katıldı.
  • 1984 yılında 12.Uluslararası İstanbul Festivali “Günümüz Sanatçıları 5. İstanbul Sergisi” ne katıldı.
  • 1993 yılında Sadberk Hanım Müzesi’nde Özgün Madalyon ve Heykel Sergisi açtı.
  • 1994 yılında Foks Sanat Galerisi’nde heykel sergisi açtı.
  • 2001 Akbank Sanat Merkezi’nde “Cumhuriyetin 78. Yılında Heykelle Buluşma” Sergisine katıldı.

Awards he received:

  • 1979 yılında Osman Hamdi Heykel yarışmasında Birincilik ödülü aldı.
  • 1987 yılında Başbakanlığın açtığı Devlet Madalya ve Nişanları yarışmasında 2 mansiyon kazandı.

Coins he designed and engraved during his tenure at the State Mint:

  • 1977 FAO Herkese Ekmek ve Konut sloganlı akmonital 2½ ve 5 Liralar ile gümüş 50 Lira
  • 1981 Uluslararası Sakatlar Yılı altın 30.000 Lira
  • 1983 FAO 16 Ekim, Dünya Besin Günü gümüş 1.500 Lira
  • 1983 Cumhuriyet’in 60. Yılı (Atatürk profili taşıyan tura tarafı, *1)
  • 1984 1 Lira Atatürk portreli tura tarafı
  • 1984 5 Lira Atatürk portreli tura tarafı
  • 1984 10 Lira Atatürk portreli tura tarafı
  • 1984 50 Lira Atatürk portreli tura tarafı
  • 1984 100 Lira Atatürk portreli tura tarafı
  • 1984 Birleşmiş Milletler Dünya Kadınlarının On Yılı
  • 1984 Türk Kadınına Seçme ve Seçilme Hakkının 50. Yılı
  • 1984 20 Lira Atatürk portreli tura tarafı
  • 1985 25 Lira Atatürk portreli tura tarafı
  • 1985 FAO IX 9. Ormancılık Konferansı – Meksika
  • 1985 Dünya Gençlik Yılı
  • 1986 “Yurtta Sulh Cihanda Sulh” sloganlı Dünya Barış Yılı
  • 1987 Dünya Konut Yılı
  • 1988 50 Lira Atatürk portreli tura tarafı
  • 1988 Meksika Baskısı 100 Lira (*2)
  • 1989 500 Lira Atatürk portreli tura tarafı
  • 1989 Meksika Baskısı 500 Lira
  • 1989 24 Kasım Öğretmenler Günü
  • 1990 1.000 Lira tedavül parasının ön ve arka yüzleri
  • 1990 1.000 Lira “Çevremizi Sevelim Koruyalım”
  • 1991 2.500 Lira tedavül parasının ön ve arka yüzleri
  • 1991 Yunus Emre Sevgi Yılı
  • 1991 Ahmet Adnan Saygun
  • 1992 5.000 Lira tedavül parasının ön ve arka yüzleri
  • 1992 Kış Olimpiyatları – Albertville, Fransa
  • 1992 Yaz Olimpiyatları – Barselona, İspanya
  • 1994 10.000 Lira tedavül parasının ön ve arka yüzleri
  • 1994 Dünya Futbol Şampiyonası – ABD, 50.000 Lira değerinde iki ayrı hatıra para
  • 1995 Korunan Doğa #1 – Kelaynak
  • 1995 T.B.M.M. Türkiye Büyük Millet Meclisi 75. Yılı
  • 1995 Polis Teşkilatının 150. Yılı
  • 1995 Korunan Doğa #2 – Caretta Caretta
  • 1996 50.000 Lira tedavül parasının ön ve arka yüzleri
  • 1996 Habitat II Kent Zirvesi
  • 1996 Korunan Doğa #3 – Akdeniz Foku
  • 1996 Hulusi Behçet
  • 1996 Korunan Doğa #4 – Kardelen
  • 1997 İstanbul Kültür Varlıkları #1 – Kız Kulesi
  • 1998 Hasan Ali Yücel
  • 1998 Lozan Barış Antlaşması’nın 75. Yılı
  • 1998 Cumhuriyet’in 75. Yılı Setinden:
    • Cumhuriyet ve Lozan
    • Cumhuriyet 2000
  • 1998 2 EURO, 500.000 Lira
  • 1998 10 EURO 2.500.000 Lira
  • 1999 100.000 Lira tedavül parasının ön ve arka yüzleri
  • 1999 Tam Güneş Tutulması temalı iki tip hatıra para
  • 1999 Osmanlı İmparatorluğu’nun Kuruluşunun 700. yılı
    • Osmanlı Arması
    • İlk Osmanlı Parası
    • Osmanlı Minyatür Sanatı
  • 1999 FAO XXI 21. Yüzyıl Gıda Güvenliği (XXI Century Food Security)
  • 2000 Geleneksel Türk Tiyatrosu #1 – Hacivat ve Karagöz
  • 2000 Birleşmiş Milletler Binyıl Zirvesi
  • 2001 Binyılın Türkleri – Mustafa Kemal Atatürk Madalyonu
  • 2001 Cahit Arf
  • 2001 Türkiye’nin Kuşları – Kelaynak (Geronticus Eremita)
  • 2002 Türkiye’nin Çiçekleri – Antalya Süseni (Iris Pamphylica)
  • 2004 Binyılın Türk’leri – Nazım Hikmet Ran
  • 2005 T.B.M.M. Türkiye Büyük Millet Meclisi 85. Milli Egemenlik Yılı
  • 2005 tedavül paralarından 1, 5 ve 10 Kuruşların tura yüzünde yer alan Atatürk portreleri
  • 2009 tedavül paralarının tamamında (1, 5, 10, 25 ve 50 Kuruş ile 1 Lira) tura yüzünde yer alan, ilk olarak 1984 yılı 1, 5, 10, 20 ve 50 Liralıklarda yer alan Mustafa Kemal Atatürk portresi.

İlk kez 1984 yılı FAO Balıkçılık altın parasının yazı yüzünde kullanılan ve 1984’ten itibaren para setlerinde görülen Darphane logosu kendisinin eseridir (*27, Sf. 73, 74 & 75).

İstanbul Darphanesi Logosu

Darphane’deki diğer eserleri:

  • TBMM Türkiye Büyük Millet Meclisi madalyonu
  • NATO’nun 40. yıldönümü, “Özgürlük içinde Barış” sloganlı hatıra madalyonu
  • 1990 “İnsanı Sev Çavreni Koru” ve “Herşey İnsan İçindir – Çevre Emanettir” sloganlı madalyon
  • 1998 Habitat II İstanbul Kent Zirvesi madalyonu
  • İstanbul Büyükşehir Belediyesi altın kaplama şehrin anahtarı ve kutusu

 


[1] Paranın yazı yüzünü Hakkı Baha Çavuşgil tasarladı (*27, Sf. 68).

[2] Darphane çalışanları 23 Haziran – 19 Ekim 1988 tarihleri arasında greve gittiklerinden, bazı tedavül paralarını basma işi Meksika Darphanesine ihale edildi. 1988 tarihli 10 Milyon adet 100 Lira ile 1989 tarihli yaklaşık 66 milyon adet 500 Lira, İstanbul’da üretilen kalıplar ile Meksika’da darp edildi. Üretilen tedavül paralarına ek olarak biner adet gümüş 100 ve 500 Lira hatıra para basıldı. Bir süre Darphane bünyesinde saklanan bu hatıra paralar 1995’te kayıtlı koleksiyonerlere, birer adet kontenjan ile satışa sunuldu (*27, Sf. 100).

 

* Cumhuriyet dönemi Türk paralarının tasarımında emeği olan diğer sanatçılar için tıklayın.

Mehmet Emin Barın (1913 ~ 1987)

Prof. Emin Barın is the calligrapher, bookbinder and graphics artist who designed the coins released for circulation in 1947.

He was born in Bolu, on 2nd of June 1913 as the son of  Mehmed Tevfik Efendi who was also a calligrapher and bookbinder.

As he had a deep interest and talent for painting, he succeeded to enroll to the Arts & Crafts programme at Ankara Gazi Institute in 1934. In 1936 he passed the exam for the talented students to be sent abroad for further education. He attended Turkish Decorative Arts programme at the Academy of Fine Arts as an intern and in 1938 was sent to Germany to study bookbinding under Prof. Dorfner. In 1939, he enrolled Printing and Bookmaking Academy at Leipzig. As a student of Prof. Thiemann, he studied modern typography and under Prof. Wiemeler he studied bookbinding.

With the start of the Second World War, he returned to Türkiye and fulfilled his duty in the army. In 1941, to finalize his studies, he returned to Leipzig and graduated in 1943. After his return to Turkey, he became a professor at the Academy of Fine Arts, Decorative Arts Department.

In 1946, he was appointed to design the new coinage. In 1953, as part of the 500th anniversary of the Conquest of Istanbul, he made 10 large plaques for prominent landmarks such as The Topkapı Gate and the Galata Tower.

Also in 1953, he created a special font family for the inscriptions for Anıtkabir (the mosoleum of Atatürk).

His students Etem Çalışkan (who was his assistant during the construction of Anıtkabir) and Abdullah Taşçı have also designed Turkish coins. Emin Barın is also a contemporary professor at the Academy of Fine Arts with Namık Bayık and Vedat Ömer Ar.

Standing, left-to-right: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey. Seated; left-to-right; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade… (Seramik Dünyası Magazine, March & April issue of 1996. p19 the article about Vedat Ar by Hande Kura

 

 

Cover photo: Mimar Sinan University of Fine Arts, Traditional Turkish Arts virtual exhibition

(https://sanal-sergi.msgsu.edu.tr/emin-barin-sergisi)

Ali Cemal

Designer of the 1934 100 Kurus silver coins.

He submitted his work to the contest organized in 1934 for the new coins with the new alphabet. His models won second place by the jury’s decision, but were sent to the capital for consideration. Eventually his models were used for the 100 Kuruş pieces.

 

 

 

Nermin Faruki (1914 ~1991)

Nermin Faruki is among the first women sculptors of the Turkish Republic(*1). She submitted models for the coin design contest of 1934 and after the competition ended, she criticised the selected designs for not being contemporary. Her and Artist Ali Cemal’s comments were published in the newspapers of the period.

She attended Arts School for Girls (İnas Sanayi-i Nefise Mektebi, *16, p. 523, 546) and later Academy of Fine Arts. Continued her sculpture education in Germany, Berlin Fine Arts Academy. Her initial works show traces of German neo-Classicism, and various other trends at later stages. Her most prominent artwork is “the head of Sculptor Hadi”, on display at the Istanbul Museum of Painting and Sculpture (IMPS) (*38, p. 110).

She was married to Nejat Sirel, who was also a sculptor himself. Their joint artworks are also displayed at IMPS.


As a result of the design competition for circulation coins of 1934, the jury awarded first place to Mesrur İzzet Bey for his effigy of Mustafa Kemal Ataturk, and to Vedat Ömer Ar for his design of the 100 Kurus reverse.

After the announcement, two contestants, Nermin Faruki and Ali Cemal wrote to Cumhuriyet Newspaper and their statements and designs were published on 29/08/1934. Nermin Faruki was criticising the jury of not being contemporary enough, and Ali Cemal for his submission envelope being returned opened. Eventually Ali Cemal’s models were used for the silver 100 Kr pieces.

 

[1] İnas ve Sanayi-i Nefise Mektebi’nin İlk Kadım Heykeltraşları – Derya Uzun Aydın, Turkish Studies; International Periodical For the Languages, Literature and History of Turkish or Turkic, Vol. 9/10 Fall 2014

Vedat Ömer Ar (1907 ~ 2001)

Vedat Ömer Ar was tone of the first place winners of the contest organized for 100 Kuruş 1934.

His model for the reverse of the coin won first place. For the obverse, the effigy of Mustafa Kemal Atatürk made by Mesrur İzzet Bey was selected by the jury. Both were awarded 1000 Lira each. However, the second place models were also sent to Ankara for consideration and eventually the models of the Artist Ali Cemal Bey were selected for the coins.


Vedat Ömer Ar, studied graphics in the Fine Arts Academy (today named Mimar Sinan University of Fine Arts) and was sent to France for further education after his graduation. Upon his return, he tought at the Academy as a contemporary of Prof. Emin Barın and Namık Bayık who have also designed cons for the State Mint.

Ayaktakiler, soldan: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey.Oturanlar, soldan; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade...
Standing, left-to-right: Edip Hakkı, Emin Barın, Namık Bayık, Gevher Bozkurt, Günseli Başar, Sabih Gözen, Bilge Hanım, Hayati Gökay, Aktan Bey, Ramiz Bey. Seated; left-to-right; Vedat Ar, Necmettin Hoca, Kenan Tenizan, Zeki Faik İzer, Tahirzade… (Seramik Dünyası Magazine, March & April issue of 1996. p19 the article about Vedat Ar by Hande Kura

He studied ceramics making in France and after his return, he became a professor at the Academy. Later he worked in stage decoration, animation, advertisement and documentary production. Died on 12 March 2001.

Vedat Ömer monogram, made of his initials and forms an owl

Some of his works are exhibited at the Painting and Sculpture Museum of Istanbul

İstanbul Resim Heykel Müzesindeki “Balık” adlı eseri